A work in constant progress (and occasional regress).
Birthplace:
Algiers, Algeria
Born in Algiers to an Algerian father and a Brazilian mother, Karim Bensalah moved to Paris at the age of 18 to study literature, philosophy and social sciences, after growing up in Haiti and Senegal. Questions of the construction of identity are naturally at the core of his work. He then entered the London Film School, where he directed Constant Flow. Back in Paris, he worked as a director, scriptwriter and actor. His short films, Le secret de Fatima, Racine(s) and Les Heures blanches, were screened and won prizes at a number of festivals, including Premiers Plans. For a period he joined the Tribudom Collective, which works with teenagers in working-class neighbourhoods in Paris and its suburbs, where he made several short films, including Chantier(s). At the same time, he was selected by Sundance Screenwriters and Director's Lab to develop his first feature film. A screenwriter and consultant on other projects, Karim Bensalah has also been working in image education for over fifteen years, in France and Brazil. Six pieds sur terre is his first feature film, the script of which was read at the Premiers Plans Festival in 2022.
Director:
2014 Les heures blanches
2024 Six Feet Over
???? Lumière noire
Screenplay:
2014 Les heures blanches
2024 Six Feet Over
???? Lumière noire
Writer:
2014 Les heures blanches
2024 Six Feet Over
???? Lumière noire
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.