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Malena Szlam

Birthplace:
Chile

Biography from TheMovieDB

Malena Szlam is an artist-filmmaker working at the intersection of cinema, installation, and performance. Her practice explores the relationship between the natural world, perception, and intuitive process. Her work has been exhibited in numerous festivals and museums, including the Toronto International Film Festival, International Film Festival Rotterdam, Viennale, Hong Kong Film Festival, New York Film Festival, Museum of Fine Arts Boston, Buenos Aires Museum of Modern Art, the Bienal de la imagen en movimiento.  Szlam is the recipient of the Liaison of Independent Filmmakers of Toronto’s (LIFT) Roberto Ariganello Artist Residency Award (2018). Past collaborations include Jerusalem In My Heart (2011-2013), a live audio-visual performance project with Montreal-based musician Radwan Ghazi Moumneh that toured Europe, Canada, and Lebanon; and Breaking the Frame (2012), Marielle Nitoslawska’s feature-length profile of Carolee Schneemann, pioneer of feminist performance art and avant-garde cinema.  She is a member of Double Negative, an artist collective dedicated to the production and exhibition of experimental cinema.

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Film Production

Director:
2008  Chronogram of Inexistent Time
2010  Beneath Your Skin of Deep Hollow
2011  Anagrams of Light
2011  Rhythm Trail
2013  Lunar Almanac
2018  Altiplano
2018  Morphology of a Dream
2021  Merapi
2022  MAIPO
2024  Archipelago of Earthen Bones — To Bunya

Director of Photography:
2008  Chronogram of Inexistent Time
2010  Beneath Your Skin of Deep Hollow
2011  Anagrams of Light
2011  Rhythm Trail
2013  Lunar Almanac
2018  Altiplano
2018  Morphology of a Dream
2021  Merapi
2022  MAIPO
2024  Archipelago of Earthen Bones — To Bunya

Editor:
2008  Chronogram of Inexistent Time
2010  Beneath Your Skin of Deep Hollow
2011  Anagrams of Light
2011  Rhythm Trail
2013  Lunar Almanac
2018  Altiplano
2018  Morphology of a Dream
2021  Merapi
2022  MAIPO
2024  Archipelago of Earthen Bones — To Bunya

Producer:
2008  Chronogram of Inexistent Time
2010  Beneath Your Skin of Deep Hollow
2011  Anagrams of Light
2011  Rhythm Trail
2013  Lunar Almanac
2018  Altiplano
2018  Morphology of a Dream
2021  Merapi
2022  MAIPO
2024  Archipelago of Earthen Bones — To Bunya

Sound:
2008  Chronogram of Inexistent Time
2010  Beneath Your Skin of Deep Hollow
2011  Anagrams of Light
2011  Rhythm Trail
2013  Lunar Almanac
2018  Altiplano
2018  Morphology of a Dream
2021  Merapi
2022  MAIPO
2024  Archipelago of Earthen Bones — To Bunya

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.