A work in constant progress (and occasional regress).
Assistant Camera:
1978 Koko: A Talking Gorilla
Camera Operator:
1978 Koko: A Talking Gorilla
2003 Chaplin Today: 'Limelight'
2008 A l'ombre de la montagne
Cinematography:
1978 Koko: A Talking Gorilla
2003 Chaplin Today: 'Limelight'
2008 A l'ombre de la montagne
2016 Luchino Visconti: Between Truth and Passion
Director:
1971 Women's Strike in Troyes
1978 Koko: A Talking Gorilla
2003 Chaplin Today: 'Limelight'
2008 A l'ombre de la montagne
2016 Luchino Visconti: Between Truth and Passion
Director of Photography:
1971 Women's Strike in Troyes
1978 Gates of Heaven
1978 Koko: A Talking Gorilla
1981 Vernon, Florida
1985 Ras-le-bol sous les ponts de Paris
1995 Dreams of Tokyo, Dreams of Cinema
1996 Rainer Maria Rilke
1999 Genet à Chatila
2001 Jacques Lacan, la psychanalyse réinventée
2003 Chaplin Today: 'Limelight'
2005 Enemy Image
2007 Calle Santa Fe
2007 Gustave Courbet, the Origins of His World
2007 Space Hackers
2008 A l'ombre de la montagne
2008 Empire State Building Murders
2010 Pour tout l'or des Andes
2015 Austerlitz
2015 We Are Alive
2016 120 ans d'inventions au cinéma
2016 Luchino Visconti: Between Truth and Passion
2017 Cuba en suspens
2019 La embajada
Camera Operator:
1996 Architectures
Director of Photography:
1996 Architectures
2024 A History of the European Rural Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.