A work in constant progress (and occasional regress).
Born:
January 1, 1939
Barbara Meter finished the Dutch Film Academy in 1963 and got an MA Film and video at the London School of Printing in 1995. Meter was co-founder of Electric Cinema, in the early 70's a bastion of Dutch experimental cinema. Meter has made many experimental short films, and also some feature films and documentaries. She also worked as a curator of film programs, teacher and free-lance lecturer on film.
Cinematography:
1971 ...And a Table
Director:
1963 Aap, Noot, Mies
1969 Familie Nasdalko aan zee
1970 From the Exterior
1970 Songs for Four Hands
1971 ...And a Table
1972 Portraits
1982 Distance to Nearby
1985 In Passing - The Party
1988 Andante Ma Non Troppo
1994 Penelope
1995 Sculptures for a Windless Space
1996 Departure on Arrival
2000 Appearances
2000 Convalescing
2001 Greece, to me
2002 No boats ever sail in the mountains
2003 Offices
2003 Quay
2005 Ariadne
2005 Stretto
2007 Whether or not you believe
2008 A Touch
2009 Loutron
2011 Little Stabs
2015 Up to the Sky and Much Much More
2022 Nachtlicht
Editor:
1963 Aap, Noot, Mies
1969 Familie Nasdalko aan zee
1970 From the Exterior
1970 Songs for Four Hands
1971 ...And a Table
1972 Portraits
1982 Distance to Nearby
1985 In Passing - The Party
1988 Andante Ma Non Troppo
1994 Penelope
1995 Sculptures for a Windless Space
1996 Departure on Arrival
2000 Appearances
2000 Convalescing
2001 Greece, to me
2002 No boats ever sail in the mountains
2003 Offices
2003 Quay
2005 Ariadne
2005 Stretto
2007 Whether or not you believe
2008 A Touch
2009 Loutron
2011 Little Stabs
2015 Up to the Sky and Much Much More
2022 Nachtlicht
Producer:
1963 Aap, Noot, Mies
1967 Schermerhoorn
1969 Familie Nasdalko aan zee
1970 From the Exterior
1970 Songs for Four Hands
1971 ...And a Table
1972 Portraits
1982 Distance to Nearby
1985 In Passing - The Party
1988 Andante Ma Non Troppo
1994 Penelope
1995 Sculptures for a Windless Space
1996 Departure on Arrival
2000 Appearances
2000 Convalescing
2001 Greece, to me
2002 No boats ever sail in the mountains
2003 Offices
2003 Quay
2005 Ariadne
2005 Stretto
2007 Whether or not you believe
2008 A Touch
2009 Loutron
2011 Little Stabs
2015 Up to the Sky and Much Much More
2022 Nachtlicht
???? Honderd beledigingen per dag
Sound:
1963 Aap, Noot, Mies
1967 Schermerhoorn
1969 Familie Nasdalko aan zee
1970 From the Exterior
1970 Songs for Four Hands
1971 ...And a Table
1972 Portraits
1982 Distance to Nearby
1985 In Passing - The Party
1988 Andante Ma Non Troppo
1994 Penelope
1995 Sculptures for a Windless Space
1996 Departure on Arrival
2000 Appearances
2000 Convalescing
2001 Greece, to me
2002 No boats ever sail in the mountains
2003 Offices
2003 Quay
2005 Ariadne
2005 Stretto
2007 Whether or not you believe
2008 A Touch
2009 Loutron
2011 Little Stabs
2015 Up to the Sky and Much Much More
2022 Nachtlicht
???? Honderd beledigingen per dag
Sound Mixer:
1963 Aap, Noot, Mies
1967 Schermerhoorn
1969 Familie Nasdalko aan zee
1970 From the Exterior
1970 Songs for Four Hands
1971 ...And a Table
1972 Portraits
1982 Distance to Nearby
1985 In Passing - The Party
1988 Andante Ma Non Troppo
1994 Penelope
1995 Sculptures for a Windless Space
1996 Departure on Arrival
2000 Appearances
2000 Convalescing
2001 Greece, to me
2002 No boats ever sail in the mountains
2003 Offices
2003 Quay
2005 Ariadne
2005 Stretto
2007 Whether or not you believe
2008 A Touch
2009 Loutron
2011 Little Stabs
2015 Up to the Sky and Much Much More
2022 Nachtlicht
???? Honderd beledigingen per dag
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.