A work in constant progress (and occasional regress).
Birthplace:
Gothenburg - Sweden
Born:
August 8, 1965
Petra Revenue is a Swedish playwright, screenwriter, and director. She has published several books and short story collections since 2006 but is also active in radio, television, film, and theater. Since 1990, she has been one of the driving forces behind Teater Trixter, one of Gothenburg's largest independent theatre groups. Petra Revenue made her debut as a screenwriter in 1992 and about 20 of her works have been staged in various forms, several of them critically acclaimed. Revenue is a wildly cross-genre screenwriter since she started her work for film and television around the year 2000, she has, for example, written screenplays for two of the film adaptations of Henning Mankell's Wallander, Stora teatern - an absurd drama for SVT, and the award-winning youth film Isdraken. Her long and broad experience can also be seen in her commitment to education, today she is one of the main people behind Alma Löv's script education and also teaches dramaturgy at Akademi Valand. Petra Revenue's directorial debut in the film industry came in 2009 with the feature film Karaokekungen based on her own short story with the same title. The film's elevated style and visual expression - "magical realism" - carry clear and conscious features from the theater, a mix in line with Revenue's vision for the script. Her next film as a director and screenwriter is also based on her own short story, Den bästa utsikten, which in 2009 won the Swedish Radio short story prize. The short film Den bästa utsikten addresses a common theme at Revenue, namely ambivalence, this time in a meeting between everyday reflections and absurdities that point to visible and invisible boundaries. Petra Revenue's interest in crossing boundaries and crossing them early on - before she was artistically active she studied social anthropology. The interest clearly lingers, even in the recurring focus on language and culture as both barriers and bridges. In 2017, Revenue returned to children's and youth films as a screenwriter and director together with Samir Arabzadeh on the film Märta Proppmätt. The 3D animated film is about the voracious goldfish Märta who, despite a heart of gold, has a tendency to think of herself first. Now she must learn respect and acceptance in a film that aims to raise issues of ecology, the Earth's common resources, and solidarity for young children.
Director:
2009 Almost Elvis
2011 The Best View
2017 Meaty Märta
???? Porträttet
Screenplay:
2005 Wallander: The Village Idiot
2006 Wallander: The Trickster
2009 Almost Elvis
2011 The Best View
2017 Meaty Märta
???? Porträttet
Writer:
2005 About Sara
2005 Wallander: The Village Idiot
2006 Wallander: The Trickster
2009 Almost Elvis
2011 The Best View
2012 The Ice Dragon
2017 Meaty Märta
???? Porträttet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.