Powell Robinson (b. 1992)

Born:
February 3, 1992

Powell Robinson is an award-winning narrative and commercial Cinematographer based out of Los Angeles, represented by Zero Gravity Management.  While his clientele for music video / commercial work features world-renowned talent including Doja Cat, The Weeknd, Jack White, Pedro Pascal, and Megan Fox – his main passion lives in genre feature filmmaking. Recently, Powell has shot two horror features over the last two years for Hulu and Worthenbrooks (previously 20th Digital). The first of which, Appendage, premiered at SXSW 2023, and SITGES 2023. Notable independent feature work in the past includes Threshold (Arrow Video), Greenlight (Horror Collective), and the documentary feature Conversion (Gravitas Ventures) narrated by Zachary Quinto.  Powell's love for intense genre content extends into his short form work as well, having shot multiple short films for CryptTV, Hulu Bite Size Halloween, and independent shorts like 10 Shots premiering at Screamfest in Los Angeles, Marked at Beyondfest, and Accomplice at Dances with Films and Shriekfest.

Additional information:

The Search Form


Cinematography:
2021  OneRepublic - "One Night in Malibu"

Director:
2015  Bastard
2020  Threshold
2021  OneRepublic - "One Night in Malibu"

Director of Photography:
2015  Bastard
2017  Kid Gambled
2018  Miscreant
2019  Greenlight
2020  Threshold
2021  OneRepublic - "One Night in Malibu"
2023  Appendage
2024  A Work of Art
2024  Baggage
2024  Mr. Crocket
????  The Red Mask

Producer:
2015  Bastard
2017  Kid Gambled
2018  Miscreant
2019  Greenlight
2020  Threshold
2021  OneRepublic - "One Night in Malibu"
2023  Appendage
2024  A Work of Art
2024  Baggage
2024  Mr. Crocket
2024  Wild Eyed and Wicked
????  The Red Mask

Still Photographer:
2015  Bastard
2017  Kid Gambled
2018  Miscreant
2019  Greenlight
2020  Threshold
2021  OneRepublic - "One Night in Malibu"
2023  Appendage
2023  Belle
2024  A Work of Art
2024  Baggage
2024  Mr. Crocket
2024  Wild Eyed and Wicked
????  The Red Mask

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.