A work in constant progress (and occasional regress).
Art Direction:
2007 Kill Buljo
2017 The 12th Man
Production Design:
2005 Dead Shift
2007 Kill Buljo
2009 Dead Snow
2009 Psalm 21
2010 Empty Barrels
2013 Crack, Back & Sack
2014 Dead Snow 2: Red vs. Dead
2015 The Wendy Effect
2017 The 12th Man
2018 22 July
2019 Lake of Death
Set Decoration:
2005 Dead Shift
2007 Kill Buljo
2009 Dead Snow
2009 Psalm 21
2010 Empty Barrels
2013 Crack, Back & Sack
2014 Amnesia
2014 Dead Snow 2: Red vs. Dead
2015 The Wendy Effect
2017 The 12th Man
2018 22 July
2019 Lake of Death
Set Designer:
2005 Dead Shift
2007 Kill Buljo
2009 Dead Snow
2009 Psalm 21
2010 Empty Barrels
2010 Rare Exports: A Christmas Tale
2013 Crack, Back & Sack
2014 Amnesia
2014 Dead Snow 2: Red vs. Dead
2015 The Wendy Effect
2016 My Future Love
2017 The 12th Man
2018 22 July
2019 Lake of Death
Still Photographer:
2005 Dead Shift
2007 Kill Buljo
2009 Dead Snow
2009 Psalm 21
2010 Empty Barrels
2010 Rare Exports: A Christmas Tale
2013 Crack, Back & Sack
2014 Amnesia
2014 Dead Snow 2: Red vs. Dead
2015 The Wendy Effect
2016 My Future Love
2017 The 12th Man
2018 22 July
2019 Lake of Death
Production Design:
2023 Estonia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.