A work in constant progress (and occasional regress).
Alias:
Refuse Liam
Birthplace:
Sheffield, South Yorkshire, England, UK
Born:
May 20, 1985
Liam Regan was born in 1985 and raised in South Yorkshire, United Kingdom, he was exposed to the horror genre at five years old by secretly watching 'What Ever Happened to Baby Jane? (1962)' without his parents consent. Growing up on a heavy dose of horror movies from the 80's, he quickly took an interest in independent cinema after discovering Troma Entertainment's back catalog and purchasing 'The Toxic Avenger Part II (1989) from his local Blockbuster video store. Liam studied screenwriting and filmmaking by working on the movie sets of Lloyd Kaufman (Return to Nuke 'Em High Volumes 1 & 2) before embarking on his 'Banjo' project with his own production company titled Refuse Films (formally Cincest Films). The initial idea of 'Banjo' was based on an accident Liam encountered during a trip to London, the following day after a screening of Darren Lynn Bousman's 'Mother's Day' at the Empire Cinema in Leicester Square, he was inspired to take the idea and create a treatment, that was quickly developed into a fifteen page short film screenplay titled 'Confessions of Peltzer'. Filmed during Easter 2012, the short film 'Confessions of Peltzer' premiered at the TromaDance film festival in New Jersey the following year. Once the short film premiered at TromaDance, Liam began receiving messages about how revolting and obscene the short was, which then inspired him further to begin writing a feature length screenplay, with the characters from his first short film, the screenplay was titled 'Banjo'. 'Banjo' (the feature length movie) was filmed during the Summer of 2014 in South Yorkshire, UK. The feature length movie had its first test screening at the Cannes Film Festival in May 2015 with a 107 minute work-print, and the final cut with the running time of 82 minutes was officially selected by Film4 FrightFest to have its world premiere on August 31st in Leicester Square, London. 'Banjo' went on to play 20 further festivals, and its title changed to 'My Bloody Banjo' in late 2016, with Acort International and Maxim Media Entertainment serving as worldwide sales agents. 'My Bloody Banjo' was released on DVD & VOD in the US in November 2016, along with the uncensored version screening on the VOD platform Troma NOW! in early 2017. Liam returned to Tromaville during the Summer of 2018, working on Lloyd Kaufman's latest opus 'Shakespeare's Shitstorm' in New York City, due to be released in Summer 2019.
Director:
2015 My Bloody Banjo
2022 Eating Miss Campbell
Producer:
2015 My Bloody Banjo
2022 Eating Miss Campbell
Thanks:
2015 My Bloody Banjo
2022 Eating Miss Campbell
2023 The Wizard of Oz
Writer:
2015 My Bloody Banjo
2022 Eating Miss Campbell
2023 The Wizard of Oz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.