Sepideh Farsi (b. 1965)

Birthplace:
Teheran, Iran

Born:
January 1, 1965

Sepideh Farsi (Persian: سپیده فارسی) is an Iranian filmmaker, born in 1965 in Tehran.  Born in 1965 in Tehran, to a father working in civil engineering and an unemployed mother, Sepideh Farsi participated in numerous demonstrations and photographed them. She was arrested at the age of 16 for hiding a political dissident and imprisoned for eight months in Machad. Upon her release, she was banned from university and went into exile in France.  She arrived in Paris in 1984 and studied mathematics. At 19, she was ultimately more drawn to the visual arts. She began creating photographs before making her first short films. One of her first films was a documentary about the Iranian diaspora, The World Is My Home. She continued her work in 2000 with a portrait of an Indian filmmaker, simply titled Homi D. Sethna, Film-maker, which received the FIPRESCI Prize at the Bombay Film Festival. In 2001, she directed Men of Fire, a work of fiction devoted to the Tehran firefighters. In 2003, she directed a work of fiction on the theme of identity, Maryam's Journey, a film somewhere between fiction and reportage that follows the journey of a young Iranian woman living in Paris who returns to search for her father in the streets of Tehran. With a yellowed photo in hand, she interviews passersby and shopkeepers.  In 2007, she shot a new documentary, Harat. In the spring of 2008, once again wandering around Tehran, she made a film with a cell phone (due to government restrictions on filming). This film depicts various aspects of life in the Iranian capital: taxi drivers, women in a hair salon, young men talking about drugs, an Iranian rapper, and more. In 2009, she was a member of the jury for Best First Film at the Locarno International Film Festival. In 2014, she shot a new fiction film in Greece with Iranian actors; Red Rose broke the taboos of Iranian cinema by including sex scenes and evoking the relationships between the young, protesting generation and the generation that had challenged the Shah's regime.  In 2025, Sepideh Farsi released the documentary "Put Your Soul on Your Hand and Walk," which recounts her year of correspondence with Palestinian photojournalist Fatima Hassouna, who was assassinated during an Israeli army raid on April 16, 2025, while she was scheduled to attend the Cannes Film Festival in May 2025.

Additional information:

The Search Form


Director:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

Director of Photography:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

Editor:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

Producer:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

Screenplay:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

Writer:
2003  Le Voyage de Maryam
2006  Negah
2007  Harat
2009  Tehran Without Permission
2010  The House under the Water
2014  Red Rose
2017  7 Veils
2019  30th anniversaire of FIDMarseille
2019  I Will Cross Tomorrow
2022  Letter to an Unborn Child
2023  The Siren
2025  Put Your Soul on Your Hand and Walk

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.