A work in constant progress (and occasional regress).
Alias:
Peter M. Winters
Winifred Hudnut
Winifred Kimball Shaughnessy
Winifred Shaughnessy
Birthplace:
Salt Lake City, Utah, USA
Born:
January 18, 1897
Died:
June 5, 1966
Natacha Rambova (Winifred Shaughnessy, January 19, 1897 – June 5, 1966) was an American film costume and set designer, best known for her marriage to Rudolph Valentino. Although they shared many interests such as art, poetry and spiritualism, his colleagues felt that she exercised too much control over his work and blamed her for several expensive flops. In later life, she continued her spiritualist activities, as well as studying Egyptology. When Kosloff was hired by Cecil B. DeMille as a performer and costume designer for Hollywood films, Rambova carried out much of the creative work as well as the historical research. Kosloff would then steal her sketches and claim credit for them as his own. Both professionally and personally, her partnership with Kosloff was tempestuous. He was a controlling and abusive man with many other lovers, who once shot her in the leg when she tried to leave him. When Kosloff started work for fellow-Russian film producer Alla Nazimova at Metro Pictures Corporation (later MGM), he sent Rambova to present some designs. Nazimova requested some alterations, and was most impressed when Rambova was able to make these changes immediately in her own hand. So she offered Rambova a position on her production staff as an art director and costume designer, enabling her to leave Kosloff at last. Rambova's first film for Nazimova was Billions (1920), followed by Uncharted Seas (1921), on which she first met Rudolph Valentino, and the two of them worked together on Camille. Although Valentino was still married to American film actress Jean Acker, he and Rambova moved in together within a year, having formed a relationship based more on friendship and shared interests than on emotional or professional rapport. They legally remarried on March 14, 1923. From 1927 Rambova ran an elite couture shop on Fifth Avenue, until she met her second husband Álvaro de Urzaiz, a British-educated Spanish aristocrat on a trip to Europe in 1934, and they went to live on the island of Mallorca. In the Spanish Civil War, Urzaiz was on the pro-fascist nationalist side, becoming a naval commander. Rambova fled to Nice, where she suffered a heart attack at age 40. Soon after, she and Urzaiz divorced. Rambova remained in France until the Nazi invasion, when she returned to New York. Her interest in the metaphysical grew during the 1940s, and she supported the Bollingen Foundation, through which she believed she could see a past life in Egypt. She published articles on healing and astrology, and helped decipher ancient scarabs and tomb inscriptions, which led her to edit a series titled Egyptian Texts and Religious Representations. She also conducted classes in her apartment about myths, symbolism and comparative religion. In the mid-1960s she was struck with scleroderma, and became malnourished and delusional as a result. A cousin brought her to Pasadena, California where she died of a heart attack on June 5, 1966 at the age of 69. Her ashes were scattered in Arizona.
Art Direction:
1920 Billions
1921 Camille
1922 A Doll's House
1922 Salomé
Costume Design:
1917 The Woman God Forgot
1920 Billions
1920 Something to Think About
1920 Why Change Your Wife?
1921 Camille
1922 A Doll's House
1922 Salomé
1922 The Young Rajah
Producer:
1917 The Woman God Forgot
1920 Billions
1920 Something to Think About
1920 Why Change Your Wife?
1921 Camille
1922 A Doll's House
1922 Salomé
1922 The Young Rajah
1928 What Price Beauty?
Screenplay:
1917 The Woman God Forgot
1920 Billions
1920 Something to Think About
1920 Why Change Your Wife?
1921 Camille
1922 A Doll's House
1922 Salomé
1922 The Young Rajah
1928 What Price Beauty?
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.