A work in constant progress (and occasional regress).
Jonathan Greber is a supervising sound editor whose career spans feature films, animated blockbusters, prestigious documentaries, television series, and non-fiction programming. He is based in Novato, California, and works at Skywalker Sound, a leading post-production facility renowned for its high standards in sound design and editing. Greber’s voice editing and sound supervision credits include major projects like The Raid 2 (2014), Cloverfield (2008), and Minority Report (2002). He has gone on to supervise sound on a wide array of high-profile titles across different media — among them Sing, Despicable Me 3, The Croods: A New Age, Spiderhead, The Secret Life of Pets 2, Andor, X‑Men ’97, McCartney 3, 2, 1, The Bee Gees: How Can You Mend a Broken Heart, and Laurel Canyon, to name just a sample. Jonathan Greber has earned significant industry recognition for his work. He won the Primetime Emmy Award for Outstanding Sound Editing for a Non-fiction or Reality Program for The Bee Gees: How Can You Mend a Broken Heart in 2021. The previous year, 2020, he was nominated in the same Emmy category for Laurel Canyon: A Place in Time. In 2022, he received another Emmy nomination, this time as ADR editor on the Disney+ series Andor, for Outstanding Sound Editing for a Comedy or Drama Series (One Hour). He was also honoured by the Motion Picture Sound Editors with Golden Reel Awards. In 2020, he won the Outstanding Achievement in Sound Editing award in the Non-Theatrical Documentary category for his work on Laurel Canyon. In 2021, he received a Golden Reel Award for his work on the Laurel Canyon project as well.
Assistant Sound Editor:
2015 Home
Dialogue Editor:
2015 Home
2018 The Grinch
2020 The Croods: A New Age
2021 Sing 2
Foley Editor:
2014 The Raid 2
2015 Home
2016 Certain Women
2018 The Grinch
2020 The Croods: A New Age
2021 Sing 2
Sound:
2008 The Sky Crawlers
2012 The Devil's Dosh
2014 The Raid 2
2015 Home
2016 Certain Women
2018 The Grinch
2020 The Croods: A New Age
2021 Sing 2
Sound Editor:
2008 The Sky Crawlers
2012 The Devil's Dosh
2014 The Raid 2
2015 Home
2016 Certain Women
2017 Eddie's Life Coach
2017 Gunter Babysits
2017 Love at First Sight
2018 The Grinch
2019 Madame
2019 Santa's Little Helpers
2020 The Croods: A New Age
2021 Sing 2
2025 The Sound
Supervising Sound Editor:
2008 The Sky Crawlers
2012 The Devil's Dosh
2014 The Raid 2
2015 Home
2016 Certain Women
2017 Eddie's Life Coach
2017 Gunter Babysits
2017 Lasso
2017 Love at First Sight
2018 The Grinch
2019 Madame
2019 Santa's Little Helpers
2019 The Man Who Killed Hitler and Then the Bigfoot
2020 The Croods: A New Age
2021 Sing 2
2022 X
2023 Sly
2024 Road Diary: Bruce Springsteen and The E Street Band
2024 The Beach Boys
2025 The Sound
Supervising Sound Editor:
2024 X-Men '97
2025 Eyes of Wakanda
2025 Marvel Zombies
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.