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Keiichi Matsuda

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Alias:
松田 桂一

Biography from TheMovieDB

Keiichi Matsuda is a designer and film-maker. His work explores the collision of physical and virtual, as technology transforms society, and new realities are born. Keiichi’s practice combines concept film-making and interaction design, to critically explore the future of everyday life. His work has been widely exhibited, from the MoMA to the V&A, as well as attaining viral success online. HYPER-REALITY was awarded Vimeo’s “best drama of 2016,” amongst other accolades. Next Reality named Keiichi as a top AR influencer, while he was serving as Leap Motion’s VP Design in 2018, and he led the Mixed Reality experience design team at Microsoft while developing next-generation AR and VR devices. Keiichi gained his Masters of Architecture from the Bartlett school. He lives in London.

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Film Production

Director:
2016  Hyper-Reality
2023  Agents

Producer:
2011  Rurouni Kenshin: New Kyoto Arc: Cage of Flames
2012  Rurouni Kenshin: New Kyoto Arc: The Chirps of Light
2016  Hyper-Reality
2023  Agents

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TV Production

Producer:
1999  Hunter × Hunter
2001  Kokoro Library
2001  R.O.D: Read or Die
2011  Dragon Crisis!

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.