A work in constant progress (and occasional regress).
Alias:
西川智也
Nishikawa’s films explore the idea of documenting situations/phenomena through a chosen medium and technique, often focusing on process itself. His films have been screened at numerous film festivals and art venues, including Berlinale, Edinburgh International Film Festival, Hong Kong International Film Festival, International Film Festival Rotterdam, London Film Festival, Media City Film Festival, New York Film Festival, Singapore International Film Festival, and Toronto International Film Festival. In 2010, he presented a series of 8mm and 16mm films at MoMA P.S.1 Contemporary Art Center, and his film installation, Building 945, received the 2008 Grant Award from the Museum of Contemporary Cinema in Spain. He served as a juror for the 2010 Ann Arbor Film Festival, the 2012 Big Muddy Film Festival, and the 2013 dresdner schmalfilmtage. He is one of the co-founders of KLEX: Kuala Lumpur Experimental Film and Video Festival and Transient Visions: Festival of the Moving Image. He lives in Japan/USA, currently teaching in Cinema Department at Binghamton University.
Cinematography:
2006 Clear Blue Sky
Director:
2003 Apollo
2005 Market Street
2005 Sketch Film #1
2005 Sketch Film #2
2006 Clear Blue Sky
2006 Sketch Film #3
2007 Into the Mass
2007 Sketch Film #4
2007 Sketch Film #5
2008 16-18-4
2009 Lumphini 2552
2010 Shibuya - Tokyo
2010 Tokyo - Ebisu
2013 45 7 Broadway
2014 Manhattan One Two Three Four
2015 Sound of a Million Insects, Light of a Thousand Stars
2016 Luminous Veil
2016 Ten Mornings Ten Evenings and One Horizon
2019 Amusement Ride
2021 Six Seventy-Two Variations, Variation 1
2021 Trafic
2022 Performance for Three Slide Projectors
2022 Six Seventy-Two Variations, Variation 2
2023 Light, Noise, Smoke, and Light, Noise, Smoke
2023 Magnetic Point
2023 Six Seventy-Two Variations, Variation 3 (For Charles)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.