A work in constant progress (and occasional regress).
Eve Heller began studying filmmaking when she was 17, attending the S.U.N.Y. Department of Media Studies at Buffalo and New York University. She received her BA in German Literature and Interdisciplinary Studies from Hunter College in 1987 and an MFA in filmmaking from Bard College in 1993. Her award winning work has been widely shown, both in the U.S. and internationally, at such venues as the Whitney Museum of American Art, the Collective for Living Cinema, the New York Film Festival, Pacific Film Archives, Toronto’s Cinematheque Ontario, the Rotterdam International Film Festival, and the Austrian Filmmuseum in Vienna. Eve currently lives and works in Vienna.
Director:
1978 One
1996 Last Lost
1997 Astor Place
2001 Her Glacial Speed
2004 Behind This Soft Eclipse
2005 Ruby Skin
2009 Self-Examination Remote Control
2010 Juice
2013 Creme 21
2016 A Roll for Peter
2021 Singing in Oblivion
Editor:
1978 One
1996 Last Lost
1997 Astor Place
2001 Her Glacial Speed
2004 Behind This Soft Eclipse
2005 Ruby Skin
2009 Self-Examination Remote Control
2010 Coming Attractions
2010 Juice
2013 Creme 21
2016 A Roll for Peter
2021 Singing in Oblivion
Writer:
1978 One
1996 Last Lost
1997 Astor Place
2001 Her Glacial Speed
2004 Behind This Soft Eclipse
2005 Ruby Skin
2009 Self-Examination Remote Control
2010 Coming Attractions
2010 Juice
2013 Creme 21
2016 A Roll for Peter
2021 Singing in Oblivion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.