A work in constant progress (and occasional regress).
Sara Dosa is an American documentary director and producer whose works have received Emmy and Independent Spirit Award nominations and a Peabody win. Her directing work focuses on the human relationship with non-human nature, often exploring themes of interconnection, myth, ecology and economy told through personal character stories.
Additional Photography:
2014 The Last Season
Associate Producer:
2014 The Last Season
2015 Olmo and the Seagull
2018 Jaddoland
Co-Producer:
2014 The Last Season
2015 Olmo and the Seagull
2017 An Inconvenient Sequel: Truth to Power
2018 Jaddoland
2019 The Edge of Democracy
Director:
2014 The Last Season
2015 Olmo and the Seagull
2017 An Inconvenient Sequel: Truth to Power
2018 Jaddoland
2018 ReMastered: Tricky Dick & The Man in Black
2019 The Edge of Democracy
2019 The Seer and the Unseen
2022 Fire of Love
Executive Producer:
2014 The Last Season
2015 Olmo and the Seagull
2017 An Inconvenient Sequel: Truth to Power
2018 Jaddoland
2018 ReMastered: Tricky Dick & The Man in Black
2019 The Edge of Democracy
2019 The Seer and the Unseen
2022 Band
2022 Fire of Love
Producer:
2014 The Last Season
2015 Olmo and the Seagull
2016 Audrie & Daisy
2017 An Inconvenient Sequel: Truth to Power
2018 Jaddoland
2018 ReMastered: Tricky Dick & The Man in Black
2018 Survivors
2019 The Edge of Democracy
2019 The Seer and the Unseen
2020 Ecstasy
2022 Band
2022 Fire of Love
???? Untitled Fire of Love Narrative Adaptation
Writer:
2014 The Last Season
2015 Olmo and the Seagull
2016 Audrie & Daisy
2017 An Inconvenient Sequel: Truth to Power
2018 Jaddoland
2018 ReMastered: Tricky Dick & The Man in Black
2018 Survivors
2019 The Edge of Democracy
2019 The Seer and the Unseen
2020 Ecstasy
2022 Band
2022 Fire of Love
???? Untitled Fire of Love Narrative Adaptation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.