A work in constant progress (and occasional regress).
Alias:
Serje Avetkian
Birthplace:
Yerevan, Armenia
Born:
December 1, 1955
Serge Avédikian (Armenian: Սերժ Ավետիքյան; born 1 December 1955), sometimes credited as Serje Avétikian, is an Armenian-French film and theatre actor, director, writer and producer, winner of Cannes Festival prize. Avédikian was born in Yerevan, Armenian SSR. His parents were born in France, children of survivors of the Armenian genocide. In 1947, influenced by Joseph Stalin's and Maurice Thorez's propaganda, they left to rejoin the motherland, where Avédikian attended the French school of Yerevan. At the age of fifteen along with his family, he returned to France. He had his stage debut in college, in his professor's amateur theater company. After studies at the Conservatory of Dramatic Arts in Meudon (France), he arrived in Paris in 1971 where he worked with the students of the Paris Conservatory. In 1976, he created a theater company and produced several plays. At the same time, he pursued a career as a theater, movie and television actor. In 1988, he founded his own production company but continues to direct films. Source: Article "Serge Avédikian" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Director:
1981 Histoire d’amour : Colombe et Avedis
1982 Paradjanov Libéré
1983 No Return Possible
1983 Que sont mes camarades devenus
1994 Fifth Dream
2003 Ligne de vie
2008 Nous avons bu la même eau
2010 Barking Island
2013 Parajanov
2016 Lost in Armenia
2021 Back to Sölöz
Writer:
1981 Histoire d’amour : Colombe et Avedis
1982 Paradjanov Libéré
1983 No Return Possible
1983 Que sont mes camarades devenus
1994 Fifth Dream
2003 Ligne de vie
2008 Nous avons bu la même eau
2010 Barking Island
2013 Parajanov
2016 Lost in Armenia
2021 Back to Sölöz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.