A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Born:
January 22, 1962
Susana de Sousa Dias was born in Lisbon in 1962. She completed a thesis in Aesthetics and Art Philosophy and holds University degrees both in Painting (Lisbon University) and Cinema (National School of Theatre and Cinema). She studied music at the National Conservatory of Music and is currently preparing a PhD in Aesthetics, Art Science and Technology (University Paris 8). Susana is presently working on a theoretical and practical research in the field of the relationships between Cinema and Contemporary Art with a special focus on archive. She is lecturer at Lisbon University of Fine Arts. In 2001 she founded the production company KINTOP. Her film Natureza Morta - Visages d'une dictature (2005) has been shown in Festivals and screenings in five continents, and won several awards (Prémio Atalanta Filmes at DocLisboa 2005, Merit Price at Taiwan International Documentary Festival, in 2006, Honorary Mention at the Slow Film Festival, Hungry in 2007). Obscure Light (documentary feature) and Natureza Morta - Stillleben (installation on three screens) are the works she is presently working on.
Art Direction:
1988 The Emissaries of Khalom
Cinematography:
1988 The Emissaries of Khalom
2019 Fordlandia Malaise
Director:
1988 The Emissaries of Khalom
2000 Enfermeiras no Estado Novo
2005 Still Life
2010 48
2017 Obscure Light
2019 Fordlandia Malaise
2021 Journey to the Sun
Editor:
1988 The Emissaries of Khalom
2000 Enfermeiras no Estado Novo
2005 Still Life
2010 48
2016 O Segredo das Pedras Vivas
2017 Obscure Light
2019 Fordlandia Malaise
2021 Journey to the Sun
Writer:
1988 The Emissaries of Khalom
2000 Enfermeiras no Estado Novo
2005 Still Life
2010 48
2016 O Segredo das Pedras Vivas
2017 Obscure Light
2019 Fordlandia Malaise
2021 Journey to the Sun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.