A work in constant progress (and occasional regress).
Born:
July 3, 1978
Ms. Fraser's first experience in the business was as a producer on the film Wassup Rockers, directed by Larry Clark, where she handled the sale of the film's worldwide rights. This led to a career in film sales. In August, 2005, Ms. Fraser became Director of Foreign Sales and Distribution for First Look International, where she handled sales of the company's library consisting of over 800 titles and the then-current film slate. Ms. Fraser decided to take the entrepreneurial plunge in early 2010 with the formation of Highland Film Group (HFG), where she partnered with Delphine Perrier. Ms. Fraser continues to use her unique and integral approach for film sales and her passion for commercial and quality packages to assist in financing films and bringing them to audiences worldwide.
Executive Producer:
2014 Parts Per Billion
2016 The Trust
2017 Inconceivable
2017 The Blackcoat's Daughter
2017 Three Christs
2018 Acts of Violence
2018 Backtrace
2018 Braven
2018 Escape Plan 2: Hades
2018 Final Score
2018 Looking Glass
2019 10 Minutes Gone
2019 A Vigilante
2019 Berlin, I Love You
2019 Rogue Warfare
2019 Trauma Center
2020 Becky
2020 Ghosts of War
2020 Hard Kill
2020 Infamous
2020 Rogue Warfare: Death of a Nation
2020 Smiley Face Killers
2020 We Summon the Darkness
2020 Yes, God, Yes
2021 13 Minutes
2021 Boss Level
2021 Fortress
2021 Midnight in the Switchgrass
2021 The Misfits
2021 The Reckoning
2021 Zone 414
2022 Fortress: Sniper's Eye
2022 Gasoline Alley
2022 Medieval
2022 One Way
2022 Savage Salvation
2022 Slayers
2022 The Lair
2022 Wire Room
2023 57 Seconds
2023 Ambush
2023 Fear the Night
2023 Muzzle
2024 Armor
2024 Old Guy
2024 Sleeping Dogs
2024 The Crow
2025 Descendent
2025 Locked
???? Dedication
???? Muzzle: City of Wolves
???? Sierra Madre
???? Zeus
Producer:
2014 Parts Per Billion
2016 The Trust
2017 Inconceivable
2017 The Blackcoat's Daughter
2017 Three Christs
2018 Acts of Violence
2018 Backtrace
2018 Braven
2018 Escape Plan 2: Hades
2018 Final Score
2018 Looking Glass
2018 Terminal
2019 10 Minutes Gone
2019 A Vigilante
2019 Berlin, I Love You
2019 Rogue Warfare
2019 Trauma Center
2020 Becky
2020 Ghosts of War
2020 Hard Kill
2020 Infamous
2020 Inheritance
2020 Rogue Warfare: Death of a Nation
2020 Smiley Face Killers
2020 The Night Clerk
2020 We Summon the Darkness
2020 Yes, God, Yes
2021 13 Minutes
2021 Boss Level
2021 Fortress
2021 Midnight in the Switchgrass
2021 The Misfits
2021 The Reckoning
2021 Zone 414
2022 Fortress: Sniper's Eye
2022 Gasoline Alley
2022 Medieval
2022 One Way
2022 Panama
2022 Savage Salvation
2022 Slayers
2022 The Lair
2022 Wire Room
2023 57 Seconds
2023 Ambush
2023 Fear the Night
2023 Muzzle
2023 One True Loves
2023 The Black Demon
2024 Arcadian
2024 Armor
2024 Old Guy
2024 Sleeping Dogs
2024 The Crow
2025 Descendent
2025 Locked
???? Dedication
???? Muzzle: City of Wolves
???? Sierra Madre
???? Wardriver
???? Zeus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.