A work in constant progress (and occasional regress).
Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
Camera Operator:
2011 Trip to Carolee
Director:
1969 Turtle
1971 Untitled
1972 Part IV (Green Hill)
1973 She/Va
1973 The Outer Circle
1974 By Twos and Threes: Women
1974 Objection
1975 Film Notebook: Part 1 (For Saul)
1977 Misconception
1977 The Web
1979 Ancient Parts/Foreign Parts
1979 Six Windows
1980 Daughters of Chaos
1983 The Fallen World
1985 Lyrics
1985 The Answering Furrow
1988 Private Parts
1991 Herein
2011 Trip to Carolee
Director of Photography:
1969 Turtle
1971 Untitled
1972 Part IV (Green Hill)
1973 She/Va
1973 The Outer Circle
1974 By Twos and Threes: Women
1974 Objection
1975 Film Notebook: Part 1 (For Saul)
1977 Misconception
1977 The Web
1979 Ancient Parts/Foreign Parts
1979 Six Windows
1980 Daughters of Chaos
1983 The Fallen World
1985 Lyrics
1985 The Answering Furrow
1988 Private Parts
1991 Herein
2011 Trip to Carolee
Editor:
1969 Turtle
1971 Untitled
1972 Part IV (Green Hill)
1973 She/Va
1973 The Outer Circle
1974 By Twos and Threes: Women
1974 Objection
1975 Film Notebook: Part 1 (For Saul)
1977 Misconception
1977 The Web
1979 Ancient Parts/Foreign Parts
1979 Six Windows
1980 Daughters of Chaos
1983 The Fallen World
1985 Lyrics
1985 The Answering Furrow
1988 Private Parts
1991 Herein
2011 Trip to Carolee
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.