A work in constant progress (and occasional regress).
Alias:
Edward J. Snyder
Birthplace:
New York, USA
Born:
January 1, 1895
Died:
July 10, 1982
Aerial Camera:
1930 Hell's Angels
Camera Operator:
1928 The Terrible People
1930 Hell's Angels
Director of Photography:
1926 The Fighting Marine
1928 The Terrible People
1930 Hell's Angels
1930 Her Man
1930 Pardon My Gun
1931 Lonely Wives
1931 Sweepstakes
1931 The Painted Desert
1931 The Tip-Off
1933 Destination Unknown
1933 Jaws of Justice
1933 They Just Had to Get Married
1936 Contra la Corriente
1936 Sea Spoilers
1937 Borrowing Trouble
1937 Hot Water
1938 A Trip to Paris
1938 Down on the Farm
1938 Passport Husband
1939 Everybody's Baby
1939 The Jones Family in Hollywood
Special Effects:
1926 The Fighting Marine
1928 The Terrible People
1930 Hell's Angels
1930 Her Man
1930 Pardon My Gun
1931 Lonely Wives
1931 Sweepstakes
1931 The Painted Desert
1931 The Tip-Off
1933 Destination Unknown
1933 Jaws of Justice
1933 They Just Had to Get Married
1936 Contra la Corriente
1936 Sea Spoilers
1937 Borrowing Trouble
1937 Hot Water
1938 A Trip to Paris
1938 Down on the Farm
1938 Passport Husband
1939 Everybody's Baby
1939 The Jones Family in Hollywood
1944 Laura
Visual Effects:
1926 The Fighting Marine
1928 The Terrible People
1930 Hell's Angels
1930 Her Man
1930 Pardon My Gun
1931 Lonely Wives
1931 Sweepstakes
1931 The Painted Desert
1931 The Tip-Off
1933 Destination Unknown
1933 Jaws of Justice
1933 They Just Had to Get Married
1936 Contra la Corriente
1936 Sea Spoilers
1937 Borrowing Trouble
1937 Hot Water
1938 A Trip to Paris
1938 Down on the Farm
1938 Passport Husband
1939 Everybody's Baby
1939 The Jones Family in Hollywood
1944 Laura
1945 Leave Her to Heaven
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.