A work in constant progress (and occasional regress).
Ewa Partum (born 1945, Grodzisk Mazowiecki near Warsaw, Poland) is a poetry artist, performance artist, filmmaker, mail artist, and conceptual artist. Part of the first generation of Polish conceptual artists, Ewa Partum paved the way for feminist performance and body art, testifying to the political activism of the former Eastern Europe. Affirming that “any act of thought is an act of art”, she focuses on the political economy of signs and the materialisation of language in her actions and installations in public space, as well as in her mail art or visual or “active” poetry. In 1983, after finally obtaining her visa, she left Poland and moved to Berlin. In the early 1970s, after studies in Łódź and Warsaw, she founded the Adres gallery in her own apartment. The gallery remained active for five years and was dedicated to conceptual art, mail art, and theory. In the same period, she created her first installations and actions connected to poetry, in public space, or a natural environment: in The Legality of Space (1971), and Poem by Ewa (1971), the letters her poems form are cut out and thrown into the sea or the street.
Costume Design:
1980 Announcing Silence
Director:
1971 Active Poetry
1973 Tautological Cinema
1976 Drawing TV
1979 Change. My Problem is a Problem of a Woman
1980 Announcing Silence
1980 Self-identification
2017 New Horizon is A Wave
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.