A work in constant progress (and occasional regress).
Born:
January 7, 1951
Stéphane Marti (born January 7, 1951 in Algiers) is a filmmaker, visual artist and teacher as well as a user of Super 8, which he has practiced for 70 years and does everything for it survive the digital age. He studied under Dominique Neguez, an advocate and theoretician of experimental film, Michel Journiac, a major protagonist of the Body art and Andrew Almuro, a composer of electroacoustic music. From 1985 to 2007, he worked at the Faculty of Arts and Sciences of Art from the University of Paris 1 Sorbonne and shared his experience to new generations of filmmakers in workshops. Moreover, he organizes several screenings of films from his workshops, "the Smarti Brigades". In his films, Marti works around issues of the body, the sacred, of gender identity disorder and strategies of desire. Attached immediately by critics at the "School of the body" cinema revolves primarily around issues of the body and the sacred, of gender identity disorder and strategies of desire. Always chiseling his films by the super 8 that combines visual splendor with artistic and against-cultural independence, he designed a operatic esthetics of the intimacy, whose mannerist decadence, the telluric forces, the splendor rituals, golds and purples forge baroque and flamboyant coordinated its "small theaters of the body". Meanwhile, he engages in other practices such as painting, photography, installation, projection environments and shapes Totems facts assemblies, photomontages and objects from his own films and create, their combination, endless narratives, torn, fragmented as we know them in his films. Since, in particular, The City of nine gates (Grand different cinema award and award of criticism in Hyères festival in 1977), his film work has been shown in a large number of festivals and national and international events (in Montreal , New York, London, Tokyo, etc.) and generated numerous articles and interviews.
Cinematography:
1976 In contextus
Director:
1975 Corpress
1976 In contextus
1976 Ladyman
1977 La cité des neuf portes
1978 Ex-communion
1979 Allegoria
1979 Ora pro nobis
1979 Transfiguration
1980 Diasparagmos: Rituel dionysiaque
1982 Concerto pour Aloual
1982 Images noires
1983 Climax
1996 Michel, le magistère du corps
1998 Les métaphores d'Alex
2000 Eros mutilé
2000 Jardin privé
2000 Le rituel de Fontainebleau
2002 Le veau d'or
2004 Mira corpora
2004 Sweet
2006 La beauté du diable
2006 Quelques fleurs pour un chant d'amour
2007 L'homme qui danse
2008 Alléluia
2008 Oratorio
2009 Les amants rouges
2009 Sur mon cou
2010 Les jardins de la Barrueca
2011 Purple Kiss
2011 Une aurore sans fin (film manifeste)
2012 Marcel Mazé, les forces de l’ombre et de la lumière
Writer:
1975 Corpress
1976 In contextus
1976 Ladyman
1977 La cité des neuf portes
1978 Ex-communion
1979 Allegoria
1979 Ora pro nobis
1979 Transfiguration
1980 Diasparagmos: Rituel dionysiaque
1982 Concerto pour Aloual
1982 Images noires
1983 Climax
1996 Michel, le magistère du corps
1998 Les métaphores d'Alex
2000 Eros mutilé
2000 Jardin privé
2000 Le rituel de Fontainebleau
2002 Le veau d'or
2004 Mira corpora
2004 Sweet
2006 La beauté du diable
2006 Quelques fleurs pour un chant d'amour
2007 L'homme qui danse
2008 Alléluia
2008 Oratorio
2009 Les amants rouges
2009 Sur mon cou
2010 Les jardins de la Barrueca
2011 Purple Kiss
2011 Une aurore sans fin (film manifeste)
2012 Marcel Mazé, les forces de l’ombre et de la lumière
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.