A work in constant progress (and occasional regress).
Color Grading:
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
Compositing Lead:
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
2019 Shadow Stalker
Special Effects:
1997 Stranger in the House
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
2019 Shadow Stalker
Special Effects Coordinator:
1997 Stranger in the House
2000 Baby
2001 A Glimpse of Hell
2002 Too Young to Be a Dad
2003 Mrs. Ashboro's Cat
2004 Reversible Errors
2004 The Trailer Park Boys Xmas Special
2005 Ambulance Girl
2005 Stone Cold
2006 Relative Chaos
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
2008 Treevenge
2013 Copperhead
2019 A Fire in the Cold Season
2019 Shadow Stalker
2019 The Lighthouse
Special Effects Supervisor:
1997 Stranger in the House
2000 Baby
2000 The Weight of Water
2001 A Glimpse of Hell
2002 Too Young to Be a Dad
2003 Mrs. Ashboro's Cat
2004 Reversible Errors
2004 The Trailer Park Boys Xmas Special
2005 Ambulance Girl
2005 Stone Cold
2006 Relative Chaos
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
2008 Treevenge
2013 Copperhead
2019 A Fire in the Cold Season
2019 Shadow Stalker
2019 The Lighthouse
Special Effects Technician:
1997 Stranger in the House
1997 The Assignment
2000 Baby
2000 The Weight of Water
2001 A Glimpse of Hell
2002 Too Young to Be a Dad
2003 Mrs. Ashboro's Cat
2004 Reversible Errors
2004 The Trailer Park Boys Xmas Special
2005 Ambulance Girl
2005 Stone Cold
2006 Relative Chaos
2007 The Blood Is the Life: The Making of 'Bram Stoker's Dracula'
2008 Treevenge
2013 Copperhead
2019 A Fire in the Cold Season
2019 Shadow Stalker
2019 The Lighthouse
Special Effects Coordinator:
2010 Ben Hur
2010 Haven
2017 The Sinner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.