A work in constant progress (and occasional regress).
Producer:
2017 Adult Interference
Visual Effects:
2016 Passengers
2017 Adult Interference
2017 Downsizing
2017 Geostorm
2017 Ghost in the Shell
2017 Guardians of the Galaxy Vol. 2
2017 Justice League
2017 Logan
2017 Only the Brave
2017 Wonderstruck
2018 A Wrinkle in Time
2018 Black Panther
2018 The Cloverfield Paradox
2018 The Equalizer 2
2018 Venom
2019 Alita: Battle Angel
2019 Joker
2020 The Call of the Wild
2021 Candyman
2021 Finch
2021 Halloween Kills
2021 Malignant
2021 Venom: Let There Be Carnage
2022 Avatar: The Way of Water
2023 No Hard Feelings
Visual Effects Producer:
2016 Passengers
2017 Adult Interference
2017 Downsizing
2017 Geostorm
2017 Ghost in the Shell
2017 Guardians of the Galaxy Vol. 2
2017 Justice League
2017 Logan
2017 Only the Brave
2017 Wonderstruck
2018 A Wrinkle in Time
2018 Black Panther
2018 The Cloverfield Paradox
2018 The Equalizer 2
2018 Venom
2019 Alita: Battle Angel
2019 Joker
2020 The Call of the Wild
2021 Candyman
2021 Finch
2021 Halloween Kills
2021 Malignant
2021 Venom: Let There Be Carnage
2022 Avatar: The Way of Water
2022 The Legend of Maula Jatt
2023 No Hard Feelings
Visual Effects Supervisor:
2009 Black Dynamite
2016 Passengers
2017 Adult Interference
2017 Downsizing
2017 Geostorm
2017 Ghost in the Shell
2017 Guardians of the Galaxy Vol. 2
2017 Justice League
2017 Logan
2017 Only the Brave
2017 Wonderstruck
2018 A Wrinkle in Time
2018 Black Panther
2018 The Cloverfield Paradox
2018 The Equalizer 2
2018 Venom
2019 Alita: Battle Angel
2019 Joker
2020 The Call of the Wild
2021 Candyman
2021 Finch
2021 Halloween Kills
2021 Malignant
2021 Venom: Let There Be Carnage
2022 Avatar: The Way of Water
2022 The Legend of Maula Jatt
2023 No Hard Feelings
Visual Effects:
2020 Devs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.