A work in constant progress (and occasional regress).
Oscar and BAFTA nominated Suzie Davies has an enthusiastic passion for design. She works with a huge energy and thoroughly enjoys the process of filmmaking. Her designs complement the storytelling process, and with her clever use of the budget, she produces interesting and versatile sets and spaces. Starting off as a model maker and sculptor in the 90s, and then as an art director on and off camera, her route through the art department has given her fantastic opportunities and experience that enhance her vision as a production designer. Working in varied genres—drama to comedy and horror to dance—and for varying budgets, any project is taken on with relish. At home or abroad, Suzie enjoys working with crews from all over the world. She is a valued, supportive, and collaborative member of any production team. She has given talks and masterclasses at various film schools, has lectured at the National Gallery on the Depiction of Colour in Film, and is a mentor for production design winners of the Watersprite Film Festival. Information above via their homepage.
Production Design:
2008 All Bar Love
2008 The Children
2011 Christopher and His Kind
2012 A Running Jump
2014 Mr. Turner
2015 Cider with Rosie
2016 Swallows and Amazons
2017 The Zookeeper's Wife
2018 On Chesil Beach
2018 Peterloo
2020 The Courier
2021 The Electrical Life of Louis Wain
2023 Saltburn
2024 Conclave
2024 Hard Truths
2025 The Thing with Feathers
2026 Three Bags Full: A Sheep Detective Movie
2026 Wuthering Heights
???? The Nightingale
Production Design:
2013 Murder on the Home Front
2022 Life After Life
Standby Art Director:
2002 Tipping the Velvet
2004 The Long Firm
2013 Murder on the Home Front
2022 Life After Life
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.