A work in constant progress (and occasional regress).
Lufe Steffen is a filmmaker, writer, and journalist from São Paulo, Brazil. He graduated in Communications and Acting and works in media outlets targeted towards LGBTQ+ audiences, developing films related to the theme since 1997, when he first began his research on Brazilian queer cinema. Produced and directed two feature documentaries, both on São Paulo's queer night scene: "São Paulo in Hi-Fi" (2016) and "Freak Night Fever in São Paulo" (2012). As a writer, producer, and director, he made ten short films, all traversing the LGBTQ+ universe of the Brazilian city.
Director:
1999 The Clubbers' Wild Trip
2000 The Horny Bed
2002 Rip Off My Clothes
2006 My Boyfriend Is a Hustler
2007 Kiss Me If You Can
2012 Freak Night Fever in São Paulo
2013 São Paulo in Hi-Fi
2016 Prom Night
2023 We Are the Future
2024 Uma Breve História da Imprensa LGBT+ no Brasil
???? Arlequinal!
Producer:
1999 The Clubbers' Wild Trip
2000 The Horny Bed
2002 Rip Off My Clothes
2006 My Boyfriend Is a Hustler
2007 Kiss Me If You Can
2012 Freak Night Fever in São Paulo
2013 São Paulo in Hi-Fi
2016 Prom Night
2023 We Are the Future
2024 Uma Breve História da Imprensa LGBT+ no Brasil
???? Arlequinal!
Screenplay:
1999 The Clubbers' Wild Trip
2000 The Horny Bed
2002 Rip Off My Clothes
2006 My Boyfriend Is a Hustler
2007 Kiss Me If You Can
2012 Freak Night Fever in São Paulo
2013 São Paulo in Hi-Fi
2016 Prom Night
2023 We Are the Future
2024 Uma Breve História da Imprensa LGBT+ no Brasil
???? Arlequinal!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.