A work in constant progress (and occasional regress).
Dialogue:
1983 Visa
Director:
1981 Thakilu Kottampuram
1983 Visa
1984 Enganeyundashaane
1984 Onnum Mindatha Bharya
1984 Paavam Poornima
1985 Naayakan
1994 Vendor Daniel State Licency
1995 Kalamasseriyil Kalyanayogam
1995 Kalyanji Anandji
1995 Mimics Action 500
1996 King Solomon
1996 Mimics Super 1000
1997 Moonu Kodiyum Munnooru Pavanum
1998 Mayajalam
Lyricist:
1981 Thakilu Kottampuram
1983 Visa
1984 Enganeyundashaane
1984 Onnum Mindatha Bharya
1984 Paavam Poornima
1985 Naayakan
1994 Vendor Daniel State Licency
1995 Kalamasseriyil Kalyanayogam
1995 Kalyanji Anandji
1995 Mimics Action 500
1996 King Solomon
1996 Mimics Super 1000
1997 Moonu Kodiyum Munnooru Pavanum
1998 Mayajalam
Screenplay:
1981 Thakilu Kottampuram
1983 Visa
1984 Enganeyundashaane
1984 Onnum Mindatha Bharya
1984 Paavam Poornima
1985 Naayakan
1994 Vendor Daniel State Licency
1995 Kalamasseriyil Kalyanayogam
1995 Kalyanji Anandji
1995 Mimics Action 500
1996 King Solomon
1996 Mimics Super 1000
1997 Moonu Kodiyum Munnooru Pavanum
1998 Mayajalam
Story:
1981 Thakilu Kottampuram
1983 Visa
1984 Enganeyundashaane
1984 Onnum Mindatha Bharya
1984 Paavam Poornima
1985 Naayakan
1994 Vendor Daniel State Licency
1995 Kalamasseriyil Kalyanayogam
1995 Kalyanji Anandji
1995 Mimics Action 500
1996 King Solomon
1996 Mimics Super 1000
1997 Moonu Kodiyum Munnooru Pavanum
1998 Mayajalam
Writer:
1981 Thakilu Kottampuram
1983 Visa
1984 Enganeyundashaane
1984 Onnum Mindatha Bharya
1984 Paavam Poornima
1985 Naayakan
1994 Vendor Daniel State Licency
1995 Kalamasseriyil Kalyanayogam
1995 Kalyanji Anandji
1995 Mimics Action 500
1996 King Solomon
1996 Mimics Super 1000
1997 Moonu Kodiyum Munnooru Pavanum
1998 Mayajalam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.