A work in constant progress (and occasional regress).
Art Direction:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
Assistant Director:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
2000 Amélia
2003 Gregório de Mattos
Associate Producer:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
Director:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1983 Punks de São Paulo
1984 Punks
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
2024 El infierno de los vivos
Executive Producer:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1983 Punks de São Paulo
1984 Punks
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
2024 El infierno de los vivos
First Assistant Director:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1983 Punks de São Paulo
1984 Punks
1998 First Love, Last Rites
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
2024 El infierno de los vivos
Script Supervisor:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1983 Punks de São Paulo
1984 Punks
1985 Kiss of the Spider Woman
1998 First Love, Last Rites
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
2024 El infierno de los vivos
Writer:
1980 Bare Behind Bars
1981 As Prostitutas do Dr. Alberto
1981 O Sexo Nosso de Cada Dia
1982 Amazon Jail
1983 Punks de São Paulo
1984 Punks
1985 Kiss of the Spider Woman
1998 First Love, Last Rites
1998 How to Make the Cruelest Month
2000 Amélia
2003 Gregório de Mattos
2024 El infierno de los vivos
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.