A work in constant progress (and occasional regress).
Alias:
Aleksandr Loshakov
А. Лошаков
Александр Лошаков
Art Direction:
1924 Heart of an Actress
1924 Morin the Pig
1927 Napoleon
1931 Fra Diavolo
2024 Napoléon vu par Abel Gance - Deuxième partie : Napoléon et la Révolution française
2024 Napoléon vu par Abel Gance - Première partie : La jeunesse de Bonaparte
Production Design:
1918 Father Sergius
1918 The Beauty Contest
1919 The Child of Another
1919 Woman's Calvary
1921 The Tales of the Thousand and One Nights
1923 Member Of Parliament
1923 The Burning Crucible
1923 The House of Mystery
1924 Heart of an Actress
1924 Kean
1924 Les Ombres Qui Passent
1924 Morin the Pig
1924 The Lion of the Moguls
1925 Le Prince charmant
1927 Napoleon
1930 The White Devil
1931 Fra Diavolo
1936 Port Arthur
1937 The Queen of Spades
1940 Dilemma
2024 Napoléon vu par Abel Gance - Deuxième partie : Napoléon et la Révolution française
2024 Napoléon vu par Abel Gance - Première partie : La jeunesse de Bonaparte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.