Emily Richardson

Emily Richardson is a UK based filmmaker who creates film portraits of particular places. Her work focuses on sites in transition and covers an extraordinarily diverse range of landscapes including empty East London streets, forests, North Sea oil fields, post-war tower blocks, empty cinemas and Cold War military facilities. She is currently doing a practice-led PhD on modern architectural space in artists’ film and video at the Royal College of Art in London.

Additional information:

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Camera Operator:
2001  Lesbians Go Mad In Lesbos

Director:
2001  Lesbians Go Mad In Lesbos
2001  Redshift
2003  Nocturne
2004  Aspect
2005  Block
2005  Petrolia
2008  Cobra Mist
2009  Memo Mori
2010  The Futurist
2010  The Picture House
2010  The Plaza
2012  Over the Horizon
2014  3 Church Walk
2015  Beach House
2018  Spender House
2023  Immaterial Terrain
????  Affinities - 50 Years of Design

Director of Photography:
2001  Lesbians Go Mad In Lesbos
2001  Redshift
2003  Nocturne
2004  Aspect
2005  Block
2005  Petrolia
2008  Cobra Mist
2009  Memo Mori
2010  The Futurist
2010  The Picture House
2010  The Plaza
2012  Over the Horizon
2014  3 Church Walk
2015  Beach House
2018  Spender House
2023  Immaterial Terrain
????  Affinities - 50 Years of Design

Script Supervisor:
2001  Lesbians Go Mad In Lesbos
2001  Redshift
2003  Nocturne
2004  Aspect
2005  Block
2005  Petrolia
2008  Cobra Mist
2009  Memo Mori
2010  The Futurist
2010  The Picture House
2010  The Plaza
2012  Over the Horizon
2014  3 Church Walk
2015  Beach House
2018  Spender House
2023  Ferrari
2023  Immaterial Terrain
2025  A Working Man
????  Affinities - 50 Years of Design

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.