A work in constant progress (and occasional regress).
Emily Richardson is a UK based filmmaker who creates film portraits of particular places. Her work focuses on sites in transition and covers an extraordinarily diverse range of landscapes including empty East London streets, forests, North Sea oil fields, post-war tower blocks, empty cinemas and Cold War military facilities. She is currently doing a practice-led PhD on modern architectural space in artists’ film and video at the Royal College of Art in London.
Camera Operator:
2001 Lesbians Go Mad In Lesbos
Director:
2001 Lesbians Go Mad In Lesbos
2001 Redshift
2003 Nocturne
2004 Aspect
2005 Block
2005 Petrolia
2008 Cobra Mist
2009 Memo Mori
2010 The Futurist
2010 The Picture House
2010 The Plaza
2012 Over the Horizon
2014 3 Church Walk
2015 Beach House
2018 Spender House
2023 Immaterial Terrain
???? Affinities - 50 Years of Design
Director of Photography:
2001 Lesbians Go Mad In Lesbos
2001 Redshift
2003 Nocturne
2004 Aspect
2005 Block
2005 Petrolia
2008 Cobra Mist
2009 Memo Mori
2010 The Futurist
2010 The Picture House
2010 The Plaza
2012 Over the Horizon
2014 3 Church Walk
2015 Beach House
2018 Spender House
2023 Immaterial Terrain
???? Affinities - 50 Years of Design
Script Supervisor:
2001 Lesbians Go Mad In Lesbos
2001 Redshift
2003 Nocturne
2004 Aspect
2005 Block
2005 Petrolia
2008 Cobra Mist
2009 Memo Mori
2010 The Futurist
2010 The Picture House
2010 The Plaza
2012 Over the Horizon
2014 3 Church Walk
2015 Beach House
2018 Spender House
2023 Ferrari
2023 Immaterial Terrain
2025 A Working Man
???? Affinities - 50 Years of Design
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.