A work in constant progress (and occasional regress).
Birthplace:
Pune, Maharashtra, India
Shri. Khan Bahadur Ardeshir Irani was born in Pune, Maharashtra, and was a writer, director, producer, actor, film distributor, film showman, and cinematographer in the silent and sound eras of early Indian cinema. He launched Sagar Movietone and Sagar Productions. He was the director of India's first sound film Alam Ara. He was the producer of India's first color film Kisan Kanya. He was renowned for making films in Hindi, Gujarati, Telugu, English, German, Indonesian, Persian, Urdu and Tamil. He was a successful entrepreneur who owned film theatres, a gramophone agency, a car agency, and Imperial Film Company, the parent company of Sagar. Ardeshir Irani is considered to be the father of Indian talkies.He was the Indian Motion Picture Producers' Association ( IMPPA 1937 to 1939) Became the first president of the Association of Indian Film Industry. In1937 Founder of the Indian Motion Picture Producers' Association . TMDB mini biography by: Ashvin Borad
Cinematography:
1928 Madhuri
Director:
1924 The Debt of Sin
1928 Madhuri
1931 The Light of the World
1933 Lor Girl
Director of Photography:
1924 The Debt of Sin
1926 Bulbul-e-Paristan
1928 Madhuri
1931 The Light of the World
1933 Lor Girl
Producer:
1924 The Debt of Sin
1926 Bulbul-e-Paristan
1928 Madhuri
1931 Draupadi
1931 Kalidas
1931 The Light of the World
1933 Lor Girl
1934 Ferdowsi
1935 Shirin and Farhad
Screenplay:
1924 The Debt of Sin
1926 Bulbul-e-Paristan
1928 Madhuri
1931 Draupadi
1931 Kalidas
1931 The Light of the World
1933 Lor Girl
1934 Ferdowsi
1935 Shirin and Farhad
Writer:
1924 The Debt of Sin
1926 Bulbul-e-Paristan
1928 Madhuri
1931 Draupadi
1931 Kalidas
1931 The Light of the World
1933 Lor Girl
1934 Ferdowsi
1934 My Man
1935 Shirin and Farhad
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.