A work in constant progress (and occasional regress).
Birthplace:
Pekanbaru, Indonesia
Born:
January 1, 1966
Fiona Tan is a visual artist and filmmaker. She is best known for her skillfully crafted video and film installations, in which explorations of memory, time, history, and the role of visual images are key. Her installations and photographic works have been shown in numerous solo and group exhibitions in international venues. She has written and directed to date two feature-length films. Her work is represented in numerous international public and private collections including the Tate Modern, London, the Guggenheim Museum New York, the Stedelijk Museum Amsterdam, the Neue National Galerie, Berlin, and the MCA, Chicago.
Director:
1997 May You Live in Interesting Times
1998 Linnaeus’ Flower Clock
1999 Facing Forward
2001 Saint Sebastian
2002 Downside Up
2003 News from the Near Future
2007 A Lapse of Memory
2008 Island
2012 Inventory
2013 Nellie
2016 Ascent
2016 History's Future
2018 Vertical Red
2018 Vertical White
2018 Vertical Wide
2020 Gray Glass
2022 Footsteps
2023 Dearest Fiona
Editor:
1997 May You Live in Interesting Times
1998 Linnaeus’ Flower Clock
1999 Facing Forward
2001 Saint Sebastian
2002 Downside Up
2003 News from the Near Future
2007 A Lapse of Memory
2008 Island
2012 Inventory
2013 Nellie
2016 Ascent
2016 History's Future
2018 Vertical Red
2018 Vertical White
2018 Vertical Wide
2020 Gray Glass
2022 Footsteps
2023 Dearest Fiona
Producer:
1997 May You Live in Interesting Times
1998 Linnaeus’ Flower Clock
1999 Facing Forward
2001 Saint Sebastian
2002 Downside Up
2003 News from the Near Future
2007 A Lapse of Memory
2008 Island
2012 Inventory
2013 Nellie
2016 Ascent
2016 History's Future
2018 Vertical Red
2018 Vertical White
2018 Vertical Wide
2020 Gray Glass
2022 Footsteps
2023 Dearest Fiona
Writer:
1997 May You Live in Interesting Times
1998 Linnaeus’ Flower Clock
1999 Facing Forward
2001 Saint Sebastian
2002 Downside Up
2003 News from the Near Future
2007 A Lapse of Memory
2008 Island
2012 Inventory
2013 Nellie
2016 Ascent
2016 History's Future
2018 Vertical Red
2018 Vertical White
2018 Vertical Wide
2020 Gray Glass
2022 Footsteps
2023 Dearest Fiona
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.