Fiona Tan (b. 1966)

Birthplace:
Pekanbaru, Indonesia

Born:
January 1, 1966

Fiona Tan is a visual artist and filmmaker. She is best known for her skillfully crafted video and film installations, in which explorations of memory, time, history, and the role of visual images are key. Her installations and photographic works have been shown in numerous solo and group exhibitions in international venues. She has written and directed to date two feature-length films.  Her work is represented in numerous international public and private collections including the Tate Modern, London, the Guggenheim Museum New York, the Stedelijk Museum Amsterdam, the Neue National Galerie, Berlin, and the MCA, Chicago.

Additional information:

The Search Form


Director:
1997  May You Live in Interesting Times
1998  Lin­naeus’ Flow­er Clock
1999  Facing Forward
2001  Saint Sebastian
2002  Downside Up
2003  News from the Near Future
2007  A Lapse of Memory
2008  Island
2012  Inventory
2013  Nellie
2016  Ascent
2016  History's Future
2018  Vertical Red
2018  Vertical White
2018  Vertical Wide
2020  Gray Glass
2022  Footsteps
2023  Dearest Fiona

Editor:
1997  May You Live in Interesting Times
1998  Lin­naeus’ Flow­er Clock
1999  Facing Forward
2001  Saint Sebastian
2002  Downside Up
2003  News from the Near Future
2007  A Lapse of Memory
2008  Island
2012  Inventory
2013  Nellie
2016  Ascent
2016  History's Future
2018  Vertical Red
2018  Vertical White
2018  Vertical Wide
2020  Gray Glass
2022  Footsteps
2023  Dearest Fiona

Producer:
1997  May You Live in Interesting Times
1998  Lin­naeus’ Flow­er Clock
1999  Facing Forward
2001  Saint Sebastian
2002  Downside Up
2003  News from the Near Future
2007  A Lapse of Memory
2008  Island
2012  Inventory
2013  Nellie
2016  Ascent
2016  History's Future
2018  Vertical Red
2018  Vertical White
2018  Vertical Wide
2020  Gray Glass
2022  Footsteps
2023  Dearest Fiona

Writer:
1997  May You Live in Interesting Times
1998  Lin­naeus’ Flow­er Clock
1999  Facing Forward
2001  Saint Sebastian
2002  Downside Up
2003  News from the Near Future
2007  A Lapse of Memory
2008  Island
2012  Inventory
2013  Nellie
2016  Ascent
2016  History's Future
2018  Vertical Red
2018  Vertical White
2018  Vertical Wide
2020  Gray Glass
2022  Footsteps
2023  Dearest Fiona

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.