A work in constant progress (and occasional regress).
Alias:
Thomas Kiennast
Birthplace:
Vienna, Austria
Born:
December 4, 1976
Camera Operator:
2014 The Dark Valley
Director of Photography:
2008 The Reason Why
2010 3nity
2011 Lilly the Witch: The Journey to Mandolan
2011 The Miracle of Carinthia
2014 Eine Liebe für den Frieden – Bertha von Suttner und Alfred Nobel
2014 The Dark Valley
2015 Ghosthunters: On Icy Trails
2015 Murder Town
2018 3 Days in Quiberon
2018 Party Hard, Die Young
2019 I've Never Been to New York
2020 Cortex
2021 Chess Story
2023 Sisi & I
Gaffer:
2001 Copy Shop
2008 The Reason Why
2010 3nity
2011 Lilly the Witch: The Journey to Mandolan
2011 The Miracle of Carinthia
2014 Eine Liebe für den Frieden – Bertha von Suttner und Alfred Nobel
2014 The Dark Valley
2015 Ghosthunters: On Icy Trails
2015 Murder Town
2018 3 Days in Quiberon
2018 Party Hard, Die Young
2019 I've Never Been to New York
2020 Cortex
2021 Chess Story
2023 Sisi & I
Lighting Artist:
1999 Carmen
2001 Copy Shop
2008 The Reason Why
2010 3nity
2011 Lilly the Witch: The Journey to Mandolan
2011 The Miracle of Carinthia
2014 Eine Liebe für den Frieden – Bertha von Suttner und Alfred Nobel
2014 The Dark Valley
2015 Ghosthunters: On Icy Trails
2015 Murder Town
2018 3 Days in Quiberon
2018 Party Hard, Die Young
2019 I've Never Been to New York
2020 Cortex
2021 Chess Story
2023 Sisi & I
Camera Department Manager:
2017 Maximilian and Marie De Bourgogne
Director of Photography:
1970 Scene of the Crime
2017 Maximilian and Marie De Bourgogne
2021 Im Netz der Camorra
Executive Producer:
1970 Scene of the Crime
2017 Maximilian and Marie De Bourgogne
2021 Im Netz der Camorra
2024 Beasts Like Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.