A work in constant progress (and occasional regress).
Alias:
Chuck Person
Dan Lopatin
Oneohtrix Point Never
Birthplace:
Massachusetts, USA
Born:
July 25, 1982
Daniel Lopatin, best known by the recording alias Oneohtrix Point Never, is an American composer and producer of experimental electronic music born in Massachusetts.
Director:
2009 Memory Vague
2009 Memory Vague
2015 Sticky Drama
Editor:
2009 Memory Vague
2009 Memory Vague
2015 Sticky Drama
Music:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Sticky Drama
2017 Dream Journal, May 2016-February 2017
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
Music Arranger:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Sticky Drama
2017 Dream Journal, May 2016-February 2017
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
2019 The Mountain
Music Supervisor:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Sticky Drama
2017 Dream Journal, May 2016-February 2017
2017 Good Time
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
2019 The Mountain
Original Music Composer:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Partisan
2015 Sticky Drama
2017 Dream Journal, May 2016-February 2017
2017 Good Time
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
2019 The Mountain
2019 Uncut Gems
2021 The Last Cruise
2022 The Weeknd: 103.5 Dawn FM
2024 The Weeknd: Live from São Paulo
???? Hurry Up Tomorrow
Story:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Partisan
2015 Sticky Drama
2016 Animals
2017 Dream Journal, May 2016-February 2017
2017 Good Time
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
2019 The Mountain
2019 Uncut Gems
2021 The Last Cruise
2022 The Weeknd: 103.5 Dawn FM
2024 The Weeknd: Live from São Paulo
???? Hurry Up Tomorrow
Thanks:
2009 Memory Vague
2009 Memory Vague
2012 In the Realms of Gold
2013 Still Life (Betamale)
2013 The Bling Ring
2015 Partisan
2015 Sticky Drama
2016 Animals
2017 Dream Journal, May 2016-February 2017
2017 Good Time
2017 Love Soldiers
2018 Glacier
2018 The White Album
2019 Dream Journal 2016–2019
2019 The Mountain
2019 Uncut Gems
2021 The Last Cruise
2021 The Scary of Sixty-First
2022 The Weeknd: 103.5 Dawn FM
2024 The Weeknd: Live from São Paulo
???? Hurry Up Tomorrow
Music Producer:
2023 The Curse
Original Music Composer:
2021 Star Wars: Visions
2022 Guillermo del Toro's Cabinet of Curiosities
2023 The Curse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.