A work in constant progress (and occasional regress).
Camera Operator:
2016 Gefangen im Paradies
2017 Stalin's James Bond
2018 The Proteom Code
Camera Supervisor:
2016 Gefangen im Paradies
2017 Stalin's James Bond
2018 The Proteom Code
2019 Wahrheit oder Lüge
Cinematography:
2015 Solness
2016 Gefangen im Paradies
2017 Stalin's James Bond
2018 The Proteom Code
2019 Wahrheit oder Lüge
Director of Photography:
2003 First Impact
2005 Sen - The Lost Light
2006 Reverence
2010 Lys
2015 Der Metzger muß nachsitzen
2015 Der Metzger und der Tote im Haifischbecken
2015 Solness
2016 Gefangen im Paradies
2017 Stalin's James Bond
2018 The Proteom Code
2019 Invisible Sue
2019 Raus
2019 Wahrheit oder Lüge
2020 Das Märchen vom goldenen Taler
2022 Auris - Der Fall Hegel
2022 Auris - Die Frequenz des Todes
2022 Love Your Enemies
2022 Old People
Director of Photography:
1970 Scene of the Crime
2021 Beneath the Surface
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.