Moustapha Alassane (1942-2015)

Birthplace:
Niger

Born:
January 1, 1942

Died:
March 17, 2015

Moustapha Alassane (1942–17 March 2015) was a Nigerien filmmaker.  Born in 1942 in N’Dougou (Niger), Moustapha Alassane graduated in mechanics. However, in the Rouch IRSH in Niamey he learned the cinematographic technique and thereafter became one of its main proponents. Jean Rouch provided for Alassane's education and accommodation in Canada, where he met the famous Norman McLaren, who taught him about animation.  He was the creator of the first animated films of the sub-Saharan Africa, also directing documentaries and fiction films. He was Head of Cinema Department at the Niamey University for 15 years.  Moustapha Alassane directed, in 1962, two shorts inspired in traditional tales: Aoure and La Bague du roi Koda. Representing African culture (e.g. in Deela ou el Barka le conteur, 1969 and Shaki, 1973), Alassane also employed moral satire (F.V.V.A., femme, villa, voiture, argent, 1972), denouncing the thirst for power for “new wealth” in Africa. Social criticism and black humour are in almost all of his films. Le Retour d'un aventurier (1966) is considered the first African western. The frog was his favourite animal and protagonist of most of his animated films, because Alassane believed it is funnier to animate frogs rather than humans.  His workshop was based in Tahoua. To work, Alassane used several materials, such as wood, metal or wire, glue, fabric or sponge.  Numerous retrospectives of Alassane's career have been made in several international film festivals.  Moustapha Alassane was made a Knight of the Legion of Honour at the Cannes Film Festival in 2007.

Additional information:

The Search Form


Animation:
1965  The Death of Gandji

Camera Operator:
1964  L'Afrique et la recherche scientifique
1965  The Death of Gandji

Cinematography:
1964  L'Afrique et la recherche scientifique
1965  The Death of Gandji
1967  Mahauta: Les bouchers du Mawri

Director:
1962  La Pileuse de Mil
1962  The Ring of King Koda
1962  The Wedding
1964  L'Afrique et la recherche scientifique
1964  L’Arachide de Sanchira
1965  The Death of Gandji
1966  Bon voyage, Sim
1966  Return of an Adventurer
1967  Mahauta: Les bouchers du Mawri
1972  Women Cars Villas Money
1973  Shaki
1973  Toula, or the Genie of the Water
1977  Samba the Great
1982  Agwane, mon village
2001  Kokoa

Director of Photography:
1962  La Pileuse de Mil
1962  The Ring of King Koda
1962  The Wedding
1964  L'Afrique et la recherche scientifique
1964  L’Arachide de Sanchira
1965  The Death of Gandji
1966  Bon voyage, Sim
1966  Return of an Adventurer
1967  Mahauta: Les bouchers du Mawri
1972  Women Cars Villas Money
1973  Shaki
1973  Toula, or the Genie of the Water
1977  Samba the Great
1982  Agwane, mon village
2001  Kokoa

Editor:
1962  La Pileuse de Mil
1962  The Ring of King Koda
1962  The Wedding
1964  L'Afrique et la recherche scientifique
1964  L’Arachide de Sanchira
1965  The Death of Gandji
1966  Bon voyage, Sim
1966  Return of an Adventurer
1967  Mahauta: Les bouchers du Mawri
1972  Women Cars Villas Money
1973  Shaki
1973  Toula, or the Genie of the Water
1977  Samba the Great
1982  Agwane, mon village
2001  Kokoa

Producer:
1962  La Pileuse de Mil
1962  The Ring of King Koda
1962  The Wedding
1964  L'Afrique et la recherche scientifique
1964  L’Arachide de Sanchira
1965  The Death of Gandji
1966  Bon voyage, Sim
1966  Return of an Adventurer
1967  Mahauta: Les bouchers du Mawri
1972  Women Cars Villas Money
1973  Shaki
1973  Toula, or the Genie of the Water
1977  Samba the Great
1982  Agwane, mon village
2001  Kokoa

Writer:
1962  La Pileuse de Mil
1962  The Ring of King Koda
1962  The Wedding
1964  L'Afrique et la recherche scientifique
1964  L’Arachide de Sanchira
1965  The Death of Gandji
1966  Bon voyage, Sim
1966  Return of an Adventurer
1967  Mahauta: Les bouchers du Mawri
1972  Women Cars Villas Money
1973  Shaki
1973  Toula, or the Genie of the Water
1977  Samba the Great
1982  Agwane, mon village
2001  Kokoa

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.