A work in constant progress (and occasional regress).
Birthplace:
Montevideo, Uruguay
Born:
November 7, 1975
Sebastián Bednarik (Montevideo, November 7, 1975) is a Uruguayan director, screenwriter, producer, businessman, teacher, artist, and author. He has directed several documentaries, focusing on association football and music.
Director:
2007 La Matinée
2008 Cachila
2010 Mundialito
2014 Maracaná
2018 Sangre de Campeones
2019 Nacional, Una Historia Verdadera
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Editor:
2007 La Matinée
2008 Cachila
2010 Mundialito
2012 Love Still
2014 Maracaná
2018 Sangre de Campeones
2019 Nacional, Una Historia Verdadera
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Executive Producer:
2007 La Matinée
2008 Cachila
2010 Mundialito
2012 Love Still
2014 Maracaná
2018 Sangre de Campeones
2019 Nacional, Una Historia Verdadera
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Producer:
2007 La Matinée
2008 Cachila
2010 Mundialito
2012 Love Still
2014 Maracaná
2018 Sangre de Campeones
2019 Nacional, Una Historia Verdadera
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Screenplay:
2002 The Wait
2007 La Matinée
2008 Cachila
2010 Mundialito
2012 Love Still
2014 Maracaná
2018 Sangre de Campeones
2019 Nacional, Una Historia Verdadera
2022 Partido: Os Bastidores da Eleição que Fragmentou o Brasil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.