A work in constant progress (and occasional regress).
Mengü Kazım Yeğin was born on January 1, 1935 in Istanbul. At the time, he was known as Mengü Yetkin. Yeğin was a cinematographer, the nephew of director Metin Erksan and the husband of film actress Gülen Kıpçak. In 1955, he was among the founders of the Cinema Workers and Technicians Union. Between 1967 and 1970, she served as the president of the Sine-iş Union. In 1975, together with prominent names such as Hülya Koçyiğit, Murat Soydan, Ümit Utku, Emel Sayın, he took part in the board of directors of the Film Industry and All Artists Empowerment Foundation (Film-San) in Beyoğlu. He took one of the most important steps of his career in Metin Erksan's Sevmek Zamanı (1965). The set photographs of the movie were taken by Metin Erksan and Mengü Yeğin. Among the important films he worked in are Yılanların Öcü (1962), Sevmek Zamanı (1965), Turist Ömer Arab'da (1969), Turist Ömer Cannibals Arasında (1970) and Şalvar Bank (1986).
Cinematography:
1960 Beyond the Nights
1962 Revenge of the Snakes
1963 The Stranger in Town
1964 The Guilty Are Among Us
1965 Time to Love
1966 Love Stories of the Pale Night
1966 Undying Love
1968 The Well
1969 Turist Ömer Arabistan'da
1970 Avare Aşık
1970 Tourist Ömer Among the Cannibals
Director of Photography:
1960 Beyond the Nights
1961 Oy Farfara Farfara
1962 Revenge of the Snakes
1963 The Stranger in Town
1964 The Guilty Are Among Us
1965 Time to Love
1966 Eşkiya
1966 Love Stories of the Pale Night
1966 Undying Love
1968 Kırmızı Fener Sokağı
1968 The Well
1969 Turist Ömer Arabistan'da
1969 İki Hikayeli Film: İki Günahsız Kız - Yılın Kadını Değil
1970 Avare Aşık
1970 Tourist Ömer Among the Cannibals
1975 Macera
1986 Bebek Davası
1986 Eşşek Oğlum ve Ben
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.