A work in constant progress (and occasional regress).
Costume Design:
2005 Shadow of the Sword
2008 The Visit
2012 Oma wider Willen
2015 Superworld
2016 Pokerface - Oma zockt sie alle ab
2017 Für dich dreh ich die Zeit zurück
2018 Tatort Staatsarchiv
2019 The Final Problem
2020 Sörensen's Fear
2022 To New Shores
2023 Das Schweigen der Esel
2023 Sörensen Catches Fire
Costume Designer:
2005 Shadow of the Sword
2008 The Visit
2012 Oma wider Willen
2015 Superworld
2016 Pokerface - Oma zockt sie alle ab
2017 Für dich dreh ich die Zeit zurück
2018 Tatort Staatsarchiv
2018 The Tobacconist
2019 The Final Problem
2020 Sörensen's Fear
2021 Enemies: Against the Clock
2021 Enemies: The Confession
2021 Ferdinand von Schirach: Feinde – Der Prozess
2022 To New Shores
2023 Das Schweigen der Esel
2023 Sörensen Catches Fire
???? Der Schimmelreiter
Costume Design:
1970 Scene of the Crime
2021 Am Anschlag - Die Macht der Kränkung
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.