A work in constant progress (and occasional regress).
Alias:
Никола Танхофер
Birthplace:
Sesvete near Zagreb, Croatia, Yugoslavia
Born:
December 25, 1926
Died:
November 24, 1998
Nikola Tanhofer (25 December 1926 – 24 November 1998) was a Yugoslav film director, screenwriter and cinematographer. His first film as director, It Was Not in Vain was entered into the 7th Berlin International Film Festival. His most accomplished film, H-8... (1958), won him a Golden Arena award at the Pula Film Festival. After two less successful films, the psychological war drama Osma vrata (1959) and Sreća dolazi u 9 (1961), the first Yugoslavian feature film with fantastical elements, he directed two somewhat more successful ones, Dvostruki obruč (1963) and Svanuće (1964). After directing Bablje ljeto (1970), he devoted himself to teaching at the Department for Film and Television Cinematography, which he founded in 1969 at the former Academy For Theater, Film And Television in Zagreb, Croatia.
Cinematography:
1965 The Key
1969 Dubrovnik Summer Festival
Director:
1957 It Was Not Useless
1958 H-8...
1958 Klempo
1959 The Eighth Door
1961 Happiness Comes at Nine o'Clock
1963 Double Circle
1964 The Sunrise
1965 The Key
1969 Dubrovnik Summer Festival
1970 Indian Summer
Director of Photography:
1949 The Flag
1957 It Was Not Useless
1958 H-8...
1958 Klempo
1959 The Eighth Door
1961 Happiness Comes at Nine o'Clock
1963 Double Circle
1964 The Sunrise
1965 The Key
1969 Dubrovnik Summer Festival
1970 Indian Summer
1972 Ivan Lackovic-Croata
Writer:
1949 The Flag
1956 The Siege
1957 It Was Not Useless
1958 H-8...
1958 Klempo
1959 The Eighth Door
1961 Happiness Comes at Nine o'Clock
1963 Double Circle
1964 The Sunrise
1965 The Key
1969 Dubrovnik Summer Festival
1970 Indian Summer
1972 Ivan Lackovic-Croata
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.