A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Art Direction:
2017 Shake Up Brazil
BTS Footage:
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
Continuity:
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2020 It Will Get Better
Director:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Director of Photography:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Editor:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Producer:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Scenario Writer:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Second Assistant Director:
2012 No Fundo, Nem Tudo é Memória
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Writer:
2012 No Fundo, Nem Tudo é Memória
2014 Onça Pintada - Mais Perto Do Que Se Pode Imaginar
2015 Atlantic
2016 I Still Bleed Inside
2017 Shake Up Brazil
2018 Quando as Coisas se Desmancham
2018 Subcutaneous
2020 Dona Cila, Don't Wait For Me For Dinner
2020 From Time to Time, I Burn
2020 It Will Get Better
2021 Sideral
2021 Slits
2022 Big Bang
2024 Júpiter
???? Cheirosa
???? Poeira de Prata no Escuro do Quarto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.