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Janina Ramirez (b. 1980)

Alias:
Nina Ramirez

Birthplace:
Dubai, United Arab Emirates

Born:
July 7, 1980

Biography from TheMovieDB

Dr Janina Sara Maria Ramirez (pronounced [ja'nina]; née Maleczek; born 7 July 1980), sometimes credited as Nina Ramirez, is a British art historian, cultural historian, and TV presenter. She specializes in interpreting symbols and examining works of art within their historical context. Ramirez went to school in Slough, Berkshire. She gained a degree in English literature, specializing in Old and Middle English, from St Anne's College, Oxford, before completing her postgraduate studies at the Centre for Medieval Studies, University of York. She completed a PhD on the artistic and literary symbolism of birds, which led to a lectureship in York's Art History Department, followed by lecturing posts at the University of Winchester, University of Warwick, and University of Oxford.

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Additional information:

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Film Performances

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Film Production

Writer:
2011  Britain's Most Fragile Treasure
2014  Architects of the Divine: The First Gothic Age
2021  Women in Film: BBC Introducing Arts

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TV Performances

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TV Production

Creator:
2020  Raiders of the Lost Past with Janina Ramirez

Presenter:
2020  Raiders of the Lost Past with Janina Ramirez

Writer:
2012  Illuminations: The Private Lives of Medieval Kings
2015  Saints and Sinners: Britain's Millennium of Monasteries
2020  Raiders of the Lost Past with Janina Ramirez

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.