A work in constant progress (and occasional regress).
Alias:
Claudia Varejao
Birthplace:
Porto, Portugal
Cláudia Varejão was born in Porto and studied at the Creativity and Artistic Creation Program of Calouste Gulbenkian Foundation in partnership with the German Film und Fernsehakademie Berlin and the São Paulo International Film Acadamy. She also studied Photography at AR.CO in Lisbon. Claúdia is the author of the trilogy of short films Weekend, A Cold Day and Morning Light. Ama-san, a portrait of japanese divers, was her first feature film which received dozens of awards around the world, followed by In The Darkness of the Theater I Take Off My Shoes, a film that shows the intimacy of a group of dancers from a dance company. Amor Fati is her latest film due for release in 2020 and Wolf and Dog, in development, will bring us back her vision of fiction. Cláudia's films have been selected and awarded by the most pretigious film festivais, including Locarno, Rotterdam, Visions du Reel, Cinema du Reel, Karlovy Vary, Art of the Real - Lincoln Center, among many others. Alongside her work as a director, Cláudia develops a career as a photographer ans is a guest professor at AR.CO and Catholic University of Porto. Her work, whether in photography or film, documentary or fiction, lives in close proximity to those portrayed.
Camera Operator:
2009 Fernando Lopes-Graça
Cinematography:
2009 Fernando Lopes-Graça
2014 In Every Dream Home a Heartache
2022 Sita - A vida e o tempo de Sita Valles
Director:
2005 Falta-me
2007 Weekend
2009 Cold Day
2009 Fernando Lopes-Graça
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Director of Photography:
2005 Falta-me
2007 Weekend
2008 Heiko
2009 Cold Day
2009 Fernando Lopes-Graça
2010 Boys On Film 4: Protect Me From What I Want
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2018 Campo
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Editor:
2005 Falta-me
2007 Weekend
2008 Heiko
2009 Cold Day
2009 Fernando Lopes-Graça
2010 Boys On Film 4: Protect Me From What I Want
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2018 Campo
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Screenplay:
2005 Falta-me
2007 Weekend
2008 Heiko
2009 Cold Day
2009 Fernando Lopes-Graça
2010 Boys On Film 4: Protect Me From What I Want
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2018 Campo
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Sound:
2005 Falta-me
2007 Weekend
2008 Heiko
2009 Cold Day
2009 Fernando Lopes-Graça
2010 Boys On Film 4: Protect Me From What I Want
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2018 Campo
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Writer:
2005 Falta-me
2007 Weekend
2008 Heiko
2009 Cold Day
2009 Fernando Lopes-Graça
2010 Boys On Film 4: Protect Me From What I Want
2011 Luz da Manhã
2014 In Every Dream Home a Heartache
2016 Ama-San
2016 In the Darkness of the Theater I Take Off My Shoes
2018 Campo
2020 The Art of Delusion
2021 Amor Fati
2022 Sita - A vida e o tempo de Sita Valles
2023 Wolf and Dog
2023 Ø island
2024 Kora
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.