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Jaime Jasso

Biography from TheMovieDB

Jaime Jasso was born in Guadalajara, Jalisco, with more than 25 years of experience in Visual effects for Film, Video games and visual Media in general. His career is inspired by Science Fiction Art and Cinema, that lead him to be part of one of the most important and prestigious teams of matte painters in the world at Industrial Light and Magic. He's now an Art Director and Film Director, creating his own film style as a Filmmaker.  Some of his most notable contributions as a VFX artist and proud member of the VFX team awarded with an Oscar for Avatar, Jaime has been part of some of the most important sagas in cinema history, from Marvel to Star Wars to many others.  Ariel Award winner in best VFX for Aztech a sci-fi anthology

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Film Production

Director:
2020  Aztech
2020  El Camino
????  The Red Stone

Editor:
2020  Aztech
2020  El Camino
????  The Red Stone

Matte Painter:
2020  Aztech
2020  El Camino
????  The Red Stone

Producer:
2020  Aztech
2020  El Camino
????  The Red Stone

VFX Supervisor:
2020  Aztech
2020  El Camino
????  The Red Stone

Visual Effects Art Director:
2013  Time Warrior
2020  Aztech
2020  El Camino
????  The Red Stone

Visual Effects Producer:
2013  Time Warrior
2017  Curse of the Mayans
2020  Aztech
2020  El Camino
????  The Red Stone

Writer:
2013  Time Warrior
2017  Curse of the Mayans
2020  Aztech
2020  El Camino
????  The Red Stone

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.