A work in constant progress (and occasional regress).
Birthplace:
Montreal, Quebec, Canada
Rob Feulner is a video artist hailing from Montréal, Québec. Armed with a stack of VCRs, circuit-bent machinery, and a disregard for electrical shocks, Rob Feulner dives wrist-deep into open machinery to manipulate tape heads and moving parts, creating a landscape of video tracking errors and glitches used to confront modern political malaise. His video art label Bleu Nuit Video curates underrepresented like-minded artists through DVD and VHS home releases.
Director:
2014 Faces of Emmanuelle
2015 ǝɹnʇuǝʌp∀ uǝǝʍollɐH s,plǝᴉɟɹɐפ
2016 Puerto Rico Tautology (14 dubs high)
2017 The Burning Desire in a Dollar Bill
2017 Video Art for Conditional Malaise
2020 Carmen
2021 Cable Box
Editor:
2014 Faces of Emmanuelle
2015 ǝɹnʇuǝʌp∀ uǝǝʍollɐH s,plǝᴉɟɹɐפ
2016 Puerto Rico Tautology (14 dubs high)
2017 The Burning Desire in a Dollar Bill
2017 Video Art for Conditional Malaise
2020 Carmen
2021 Cable Box
Music:
2014 Faces of Emmanuelle
2014 Who Are You Mr. Node?
2015 ǝɹnʇuǝʌp∀ uǝǝʍollɐH s,plǝᴉɟɹɐפ
2016 Puerto Rico Tautology (14 dubs high)
2017 The Burning Desire in a Dollar Bill
2017 Video Art for Conditional Malaise
2020 Carmen
2021 Cable Box
Visual Effects:
2014 Faces of Emmanuelle
2014 Who Are You Mr. Node?
2015 ǝɹnʇuǝʌp∀ uǝǝʍollɐH s,plǝᴉɟɹɐפ
2016 Puerto Rico Tautology (14 dubs high)
2017 A
2017 The Burning Desire in a Dollar Bill
2017 The Devil's Trap
2017 Video Art for Conditional Malaise
2020 Carmen
2020 Forwards, Backward
2021 Cable Box
2022 The Diabetic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.