A work in constant progress (and occasional regress).
Birthplace:
Hector's River, Portland, Jamaica
Born:
December 29, 1927
Died:
April 18, 2023
Evan Jones (29 December 1927 – 18 April 2023) was an influential Jamaican playwright, poet and novelist. He is best known for his screenplay for Wake in Fright (1971), a Palme d'Or nominated, 2009 Cannes Classic championed by Martin Scorsese; it is one of only two films to ever be screened twice at the festival. Jones was the recipient of the Martin Luther King Memorial Prize for The Fight Against Slavery (1975), a limited series created and presented by him for the BBC. He is also the writer of Madhouse on Castle Street (1963), a television play which featured the acting début of Bob Dylan. Over the course of his career, Jones collaborated with a number of notable figures of twentieth century cinema, including Harold Pinter, John Huston, Michael Caine, Dirk Bogarde, Spike Milligan, Peter Sellers, Sylvester Stallone and Max von Sydow. Jones' archive is held by the Bodleian Library at his alma mater, the University of Oxford, whom displayed his poetry as part of their 2024–5 exhibition Write Cut Rewrite.
Screenplay:
1962 The Damned
1964 King and Country
1966 Funeral in Berlin
1966 Modesty Blaise
1969 Two Gentlemen Sharing
1971 Wake in Fright
1973 Night Watch
1981 Escape to Victory
1984 Champions
1986 Kangaroo
1990 A Show of Force
Writer:
1962 Eva
1962 The Damned
1963 The Madhouse on Castle Street
1964 King and Country
1965 Old Man's Fancy
1966 Funeral in Berlin
1966 Modesty Blaise
1969 Two Gentlemen Sharing
1971 Wake in Fright
1973 Ghost in the Noonday Sun
1973 Night Watch
1976 The Man with the Power
1977 Rehearsal
1981 Escape to Victory
1981 The Killing of Angel Street
1984 Champions
1986 Kangaroo
1990 A Show of Force
Creator:
1975 The Fight Against Slavery
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.