A work in constant progress (and occasional regress).
Alias:
唐永健
Birthplace:
Singapore
Born:
January 1, 1972
Known for his range and ability to traverse both mainstream movies and art-house cinema, Kelvin Tong embarked on his filmmaking journey in 1995 with Moveable Feast. The quirky short, co-directed with Jasmine Ng and Sandi Tan, about one man’s obsession with the rituals of eating, garnered a Special Mention at the 1996 Clermont-Ferrand Film Festival as well as the Best Short Film Award at the 1995 Singapore International Film Festival Silver Screen Awards. Moveable Feast was the first piece of Singapore cinema to be showcased at the Museum Of Modern Art in New York. Kelvin Tong made his feature debut alongside co-director Jasmine Ng in 1999 with Eating Air, which represented Singapore extensively in numerous international film festivals. Kelvin Tong’s second feature – The Maid – was an atmospheric horror film based on the rituals and superstitions of the Chinese in Singapore. It broke box office records in Singapore and won the Asian Award at the 2006 European Fantastic Film Festivals Federation. In 2006, Kelvin Tong received Singapore’s highest national artistic award for youth – the Young Artist Award. Following The Maid, Kelvin Tong’s career took on a regional dimension. His third feature, Love Story (2006) was produced by Hong Kong screen legend Andy Lau. It took the Best Director Award at the 2006 Singapore International Film Festival and was chosen as the closing film at the 2006 Locarno International Film Festival. Kelvin Tong’s fourth feature – Rule #1 (2007) was a supernatural noir thriller shot in Hongkong. Returning to Singapore, Kelvin Tong made the thriller Kidnapper in 2009 and It’s A Great Great World in 2010.
Director:
1996 Moveable Feast
1999 Eating Air
2005 1942
2005 The Maid
2006 Love Story
2007 Men in White
2008 Rule Number One
2010 Kidnapper
2011 It's a Great, Great World!
2015 7 Letters
2016 The Offering
2017 Beijing, Mumbai, Tampines
2018 Republic of Food
2023 A Year of No Significance
2023 Confinement
Producer:
1996 Moveable Feast
1999 Eating Air
2005 1942
2005 The Maid
2006 Love Story
2007 Men in White
2008 Rule Number One
2010 Kidnapper
2011 It's a Great, Great World!
2012 Dance Dance Dragon
2015 7 Letters
2016 The Offering
2017 Beijing, Mumbai, Tampines
2018 Republic of Food
2023 A Year of No Significance
2023 Confinement
Screenplay:
1996 Moveable Feast
1999 Eating Air
2005 1942
2005 The Maid
2006 Love Story
2007 Men in White
2008 Rule Number One
2010 Kidnapper
2011 It's a Great, Great World!
2012 Dance Dance Dragon
2015 7 Letters
2016 The Offering
2017 Beijing, Mumbai, Tampines
2018 Republic of Food
2023 A Year of No Significance
2023 Confinement
Writer:
1996 Moveable Feast
1999 Eating Air
2005 1942
2005 The Maid
2006 Love Story
2007 Men in White
2008 Rule Number One
2010 Kidnapper
2011 It's a Great, Great World!
2012 Dance Dance Dragon
2015 7 Letters
2016 The Offering
2017 Beijing, Mumbai, Tampines
2018 Republic of Food
2023 A Year of No Significance
2023 Confinement
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.