A work in constant progress (and occasional regress).
Assistant Editor:
2001 O Chamado de Deus
Director:
2001 O Chamado de Deus
2009 Herbert de Perto
2013 A Farra do Circo
2014 Circo Voador
2021 Ouver
2022 Andança: Os Encontros e as Memórias de Beth Carvalho
Editor:
2001 O Chamado de Deus
2002 35 - O Assalto ao Poder
2004 Circular Capital
2005 I'm Ugly But Trendy
2009 Herbert de Perto
2010 Blue Eyes
2011 Musical Chairs
2012 João Saldanha
2013 A Farra do Circo
2014 Circo Voador
2014 Getulio
2014 Julio Sumiu
2015 Little Book of Love 2
2016 Images of the Estado Novo 1937-45
2016 Nise: The Heart of Madness
2018 Rindo à Toa: Humor Sem Limites
2020 Mata
2021 Ouver
2021 Road for Two
2022 Andança: Os Encontros e as Memórias de Beth Carvalho
Editorial Manager:
2001 O Chamado de Deus
2002 35 - O Assalto ao Poder
2004 Circular Capital
2005 I'm Ugly But Trendy
2009 Herbert de Perto
2010 Blue Eyes
2011 Musical Chairs
2012 João Saldanha
2013 A Farra do Circo
2014 Circo Voador
2014 Getulio
2014 Julio Sumiu
2015 Little Book of Love 2
2016 Images of the Estado Novo 1937-45
2016 Nise: The Heart of Madness
2018 Rindo à Toa: Humor Sem Limites
2020 Mata
2021 Ouver
2021 Road for Two
2022 Andança: Os Encontros e as Memórias de Beth Carvalho
Executive Producer:
2001 O Chamado de Deus
2002 35 - O Assalto ao Poder
2004 Circular Capital
2005 I'm Ugly But Trendy
2009 Herbert de Perto
2010 Blue Eyes
2011 Musical Chairs
2012 João Saldanha
2013 A Farra do Circo
2014 Circo Voador
2014 Getulio
2014 Julio Sumiu
2015 Little Book of Love 2
2016 Images of the Estado Novo 1937-45
2016 Nise: The Heart of Madness
2018 Rindo à Toa: Humor Sem Limites
2020 Mata
2021 Ouver
2021 Road for Two
2022 Andança: Os Encontros e as Memórias de Beth Carvalho
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.