A work in constant progress (and occasional regress).
Alias:
Homayoon As'adian
Homayoon Asaadian
Homayoon Asadian
Homayoon Ass'adian
Homayoun As'adian
Homayoun Asadian
Homayoun Asadiyan
Homayoun Assadian
همایون اسعدیان
Birthplace:
Isfahan, Iran
Born:
February 14, 1959
Homayoun Assadian (همایون اسعدیان), is an Iranian director, screenwriter, assistant director, planning, production and photography consultant. He began his artistic activities in 1974 with the Center for Intellectual Development of Children and Adolescents and attending classes and making movies, 8 mm film. In 1978 Homayoun Assadian entered the Faculty of Dramatic Arts and began studying theater. After the Cultural Revolution, he was unable to continue his studies. His professional theater work began with the photographic film "High School", and he then directed his first film "Bite" in 1994. Since then Homayoun Assadian has written and produced several feature films.
Director:
1994 Bite
1999 The Prank
2008 10 Raghami
2009 Night of the Fox
2011 Gold and Copper
2012 Kissing the Moon-Like Face
2017 A Special Day
Producer:
1994 Bite
1999 The Prank
2008 10 Raghami
2009 Night of the Fox
2011 Felicity Land
2011 Gold and Copper
2012 Kissing the Moon-Like Face
2017 A Special Day
2017 Sara and Ayda
???? Accomplice
Screenplay:
1994 Bite
1999 The Prank
2008 10 Raghami
2009 Night of the Fox
2011 Felicity Land
2011 Gold and Copper
2012 Kissing the Moon-Like Face
2017 A Special Day
2017 Sara and Ayda
???? Accomplice
Writer:
1994 Bite
1994 Redhat and Cousin
1999 The Prank
2008 10 Raghami
2009 Night of the Fox
2011 Felicity Land
2011 Gold and Copper
2012 Kissing the Moon-Like Face
2017 A Special Day
2017 Sara and Ayda
???? Accomplice
Creator:
2023 Accomplice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.