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Matjaž Ivanišin

Birthplace:
Maribor, Slovenia

Biography from TheMovieDB

Matjaž Ivanišin is a Slovenian director, screenwriter, and director of photography. He was born in 1981 in Maribor, Yugoslavia [now Slovenia].  He worked at the Small Stage (First Stage) of the First Gymnasium Maribor under the mentorship of Jernej Lorencij. In 2000, he enrolled in the study of film and television directing at AGRFT, which he completed in 2007.  He mostly dedicates himself to documentary film, which in his experience requires more effort than a feature film, as its author also has to deal with filming, editing, organization, and finances. He records on film tape. After three documentaries, Oroslan (2019) was his first feature film.  Description above from the Wikipedia article Matjaž Ivanišin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional information:

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Film Production

Director:
2013  Karpotrotter
2015  Little Houses
2017  Every Good Story Is a Love Story
2017  Playing Men
2019  Oroslan
2022  That’s How the Summer Ended

Screenplay:
2013  Karpotrotter
2015  Little Houses
2017  Every Good Story Is a Love Story
2017  Playing Men
2019  Oroslan
2022  That’s How the Summer Ended

Writer:
2013  Karpotrotter
2015  Little Houses
2017  Every Good Story Is a Love Story
2017  Playing Men
2019  Oroslan
2022  That’s How the Summer Ended

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.